|
|
21 Days
|
Basil Dean
|
United Kingdom,
|
1940
|
|
|
24 Hours in the Life of a Clown
|
Jean-Pierre Melville
|
France,
|
1946
|
|
|
THE 47 RONIN: Part 1
|
Kenji Mizoguchi
|
Japan,
|
1941
|
|
|
THE 47 RONIN: Part 2
|
Kenji Mizoguchi
|
Japan,
|
1941
|
|
|
49th Parallel
|
Michael Powell
|
United Kingdom,
|
1941
|
|
|
The Adventures of Prince Achmed
|
Lotte Reiniger
|
Germany,
|
1926
|
|
|
All That Money Can Buy (a.k.a. The Devil and Daniel Webster)
|
William Dieterle
|
United States,
|
1941
|
|
|
L’amore
|
Roberto Rossellini
|
Italy,
|
1948
|
|
|
Anna Karenina
|
Julien Duvivier
|
United Kingdom,
|
1948
|
|
|
Apostasy
|
Keisuke Kinoshita
|
Japan,
|
1948
|
|
|
Army
|
Keisuke Kinoshita
|
Japan,
|
1944
|
|
|
L’assassin habite au 21
|
Henri-Georges Clouzot
|
France,
|
1942
|
|
|
Battleship Potemkin
|
Sergei Eisenstein
|
Russia,
|
1925
|
|
|
Beauty and the Beast
|
Jean Cocteau
|
France,
|
1946
|
|
|
Bicycle Thieves
|
Vittorio De Sica
|
Italy,
|
1948
|
|
|
Bitter Rice
|
Giuseppe De Santis
|
Italy,
|
1949
|
|
|
Black Narcissus
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1947
|
|
|
Blanche Fury
|
Marc Allégret
|
United Kingdom,
|
1948
|
|
|
Blithe Spirit
|
David Lean
|
United Kingdom,
|
1945
|
|
|
Blood of the Beasts
|
Georges Franju
|
France,
|
1949
|
|
|
Brief Encounter
|
David Lean
|
United Kingdom,
|
1945
|
|
|
Brighton Rock
|
John Boulting
|
United Kingdom,
|
1948
|
|
|
Broken Drum
|
Keisuke Kinoshita
|
Japan,
|
1949
|
|
|
Brothers and Sisters of the Toda Family
|
Yasujiro Ozu
|
Japan,
|
1941
|
|
|
Brute Force
|
Jules Dassin
|
United States,
|
1947
|
|
|
Caesar and Cleopatra
|
Gabriel Pascal
|
United Kingdom,
|
1945
|
|
|
A Canterbury Tale
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1944
|
|
|
Chains
|
Raffaello Matarazzo
|
Italy,
|
1949
|
|
|
The Children Are Watching Us
|
Vittorio De Sica
|
Italy,
|
1944
|
|
|
Children of Paradise
|
Marcel Carné
|
France,
|
1945
|
|
|
A Christmas Dream
|
Karel Zeman
|
Czechoslovakia,
|
1945
|
|
|
Le ciel est à vous
|
Jean Grémillon
|
France,
|
1944
|
|
|
The Circus
|
Charles Chaplin
|
United States,
|
1928
|
|
|
Le Corbeau
|
Henri-Georges Clouzot
|
France,
|
1943
|
|
|
Crisis
|
Ingmar Bergman
|
Sweden,
|
1946
|
|
|
Les dames du Bois de Boulogne
|
Robert Bresson
|
France,
|
1945
|
|
|
Daphnia
|
Jean Painlevé
|
France,
|
1928
|
|
|
The Daughter of Dawn
|
Norbert A. Myles
|
United States,
|
1920
|
|
|
Day of Wrath
|
Carl Th. Dreyer
|
Denmark,
|
1943
|
|
|
Desert Fury
|
Lewis Allen
|
United States,
|
1947
|
|
|
Detour
|
Edgar G. Ulmer
|
United States,
|
1945
|
|
|
Double Indemnity
|
Billy Wilder
|
United States,
|
1944
|
|
|
Douce
|
Claude Autant-Lara
|
France,
|
1943
|
|
|
Downhill
|
Alfred Hitchcock
|
United Kingdom,
|
1927
|
|
|
Dr. Dolittle: A Trip to Africa
|
Lotte Reiniger
|
Germany,
|
1923
|
|
|
DR. DOLITTLE: LION’S DEN: English Version
|
Lotte Reiniger
|
Germany,
|
1923
|
|
|
DR. DOLITTLE: LION’S DEN: German Version
|
Lotte Reiniger
|
Germany,
|
1923
|
|
|
Dr. Jack
|
Fred C. Newmeyer
|
United States,
|
1922
|
|
|
Drunken Angel
|
Akira Kurosawa
|
Japan,
|
1948
|
|
|
An Eastern Westerner
|
Hal Roach
|
United States,
|
1920
|
|
|
Entr'acte
|
René Clair
|
France,
|
1924
|
|
|
The Eternal Return
|
Jean Delannoy
|
France,
|
1943
|
|
|
Eva
|
Gustaf Molander
|
Sweden,
|
1948
|
|
|
The Face Behind the Mask
|
Robert Florey
|
United States,
|
1941
|
|
|
The First of the Few
|
Leslie Howard
|
United Kingdom,
|
1942
|
|
|
The Flying Coffer
|
Lotte Reiniger
|
Germany,
|
1922
|
|
|
For Heaven’s Sake
|
Sam Taylor
|
United States,
|
1926
|
|
|
The Freshman
|
Sam Taylor and Fred Newmeyer
|
United States,
|
1925
|
|
|
Freshwater Assassins
|
Jean Painlevé
|
France,
|
1947
|
|
|
Gente del Po
|
Michelangelo Antonioni
|
Italy,
|
1947
|
|
|
Germany Year Zero
|
Roberto Rossellini
|
Italy,
|
1948
|
|
|
Get Out and Get Under
|
Hal Roach
|
United States,
|
1920
|
|
|
Gilda
|
Charles Vidor
|
United States,
|
1946
|
|
|
The Girl I Loved
|
Keisuke Kinoshita
|
Japan,
|
1946
|
|
|
Girl Shy
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1924
|
|
|
The Gold Rush
|
Charles Chaplin
|
United States,
|
1942
|
|
|
THE GOLD RUSH: 1925 Version
|
Charles Chaplin
|
United States,
|
1925
|
|
|
Grandma's Boy
|
Fred C. Newmeyer
|
United States,
|
1922
|
|
|
Grass: A Nation’s Battle for Life
|
Merian C. Cooper and Ernest B. Schoedsack
|
United States,
|
1925
|
|
|
The Great Dictator
|
Charles Chaplin
|
United States,
|
1940
|
|
|
Great Expectations
|
David Lean
|
United Kingdom,
|
1946
|
|
|
Green for Danger
|
Sidney Gilliat
|
United Kingdom,
|
1946
|
|
|
Hamlet
|
Laurence Olivier
|
United Kingdom,
|
1948
|
|
|
The Hard Way
|
Vincent Sherman
|
United States,
|
1943
|
|
|
Haunted Spooks
|
Hal Roach and Alfred J. Goulding
|
United States,
|
1920
|
|
|
Häxan
|
Benjamin Christensen
|
Denmark,
|
1922
|
|
|
A Hen in the Wind
|
Yasujiro Ozu
|
Japan,
|
1948
|
|
|
Henry V
|
Laurence Olivier
|
United Kingdom,
|
1944
|
|
|
Here’s to the Young Lady
|
Keisuke Kinoshita
|
Japan,
|
1949
|
|
|
High and Dizzy
|
Hal Roach
|
United States,
|
1920
|
|
|
His Royal Slyness
|
Hal Roach
|
United States,
|
1920
|
|
|
A Horseshoe for Luck
|
Karel Zeman
|
Czechoslovakia,
|
1946
|
|
|
Hyas and Stenorhynchus
|
Jean Painlevé
|
France,
|
1927
|
|
|
An Ideal Husband
|
Alexander Korda
|
United Kingdom,
|
1947
|
|
|
The Idle Class
|
Charles Chaplin
|
United States,
|
1921
|
|
|
I Graduated, But...
|
Yasujiro Ozu
|
Japan,
|
1929
|
|
|
I Know Where I’m Going!
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1945
|
|
|
Inspiration
|
Karel Zeman
|
Czechoslovakia,
|
1949
|
|
|
In Which We Serve
|
David Lean and Noël Coward
|
United Kingdom,
|
1942
|
|
|
I See a Dark Stranger
|
Frank Launder
|
United Kingdom,
|
1946
|
|
|
Ivan the Terrible, Part I
|
Sergei Eisenstein
|
Soviet Union,
|
1944
|
|
|
Jour de fête
|
Jacques Tati
|
France,
|
1949
|
|
|
Jubilation Street
|
Keisuke Kinoshita
|
Japan,
|
1944
|
|
|
June Night
|
Per Lindberg
|
Sweden,
|
1940
|
|
|
Jungle Book
|
Zoltán Korda
|
United Kingdom,
|
1942
|
|
|
The Kid
|
Charles Chaplin
|
United States,
|
1921
|
|
|
The Kid Brother
|
Ted Wilde
|
United States,
|
1927
|
|
|
The King of Kings
|
Cecil B. DeMille
|
United States,
|
1927
|
|
|
Ladies in Retirement
|
Charles Vidor
|
United States,
|
1941
|
|
|
The Lady Eve
|
Preston Sturges
|
United States,
|
1941
|
|
|
LA ROUE: Part 1
|
Abel Gance
|
France,
|
1923
|
|
|
LA ROUE: Part 2
|
Abel Gance
|
France,
|
1923
|
|
|
LA ROUE: Part 3
|
Abel Gance
|
France,
|
1923
|
|
|
LA ROUE: Part 4
|
Abel Gance
|
France,
|
1923
|
|
|
Late Spring
|
Yasujiro Ozu
|
Japan,
|
1949
|
|
|
Laura
|
Otto Preminger
|
United States,
|
1944
|
|
|
Let There Be Light
|
John Huston
|
United States,
|
1946
|
|
|
Lettres d’amour
|
Claude Autant-Lara
|
France,
|
1942
|
|
|
The Life and Death of Colonel Blimp
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1943
|
|
|
The Living Magoroku
|
Keisuke Kinoshita
|
Japan,
|
1943
|
|
|
The Lodger: A Story of the London Fog
|
Alfred Hitchcock
|
United Kingdom,
|
1927
|
|
|
Looking for Sally
|
Leo McCarey
|
United States,
|
1925
|
|
|
Lumière d’été
|
Jean Grémillon
|
France,
|
1943
|
|
|
Lydia
|
Julien Duvivier
|
United Kingdom,
|
1941
|
|
|
Madonna of the Seven Moons
|
Arthur Crabtree
|
United Kingdom,
|
1945
|
|
|
La main du diable
|
Maurice Tourneur
|
France,
|
1943
|
|
|
Major Barbara
|
Gabriel Pascal
|
United Kingdom,
|
1941
|
|
|
The Man I Love
|
Raoul Walsh
|
United States,
|
1946
|
|
|
The Man in Grey
|
Leslie Arliss
|
United Kingdom,
|
1943
|
|
|
Le mariage de Chiffon
|
Claude Autant-Lara
|
France,
|
1942
|
|
|
Master of the House
|
Carl Th. Dreyer
|
Denmark,
|
1925
|
|
|
The Men Who Tread on the Tiger’s Tail
|
Akira Kurosawa
|
Japan,
|
1945
|
|
|
Mighty Like a Moose
|
Leo McCarey
|
United States,
|
1926
|
|
|
Monsieur Verdoux
|
Charles Chaplin
|
United States,
|
1947
|
|
|
Moontide
|
Archie Mayo
|
United States,
|
1942
|
|
|
Morning for the Osone Family
|
Keisuke Kinoshita
|
Japan,
|
1946
|
|
|
The Most Beautiful
|
Akira Kurosawa
|
Japan,
|
1944
|
|
|
The Naked City
|
Jules Dassin
|
United States,
|
1948
|
|
|
Never Weaken
|
Fred C. Newmeyer and Sam Taylor
|
United States,
|
1921
|
|
|
Nice and Friendly
|
Charles Chaplin
|
United States,
|
1922
|
|
|
No Regrets for Our Youth
|
Akira Kurosawa
|
Japan,
|
1946
|
|
|
N.U.
|
Michelangelo Antonioni
|
Italy,
|
1948
|
|
|
Number, Please?
|
Hal Roach and Fred Newmeyer
|
United States,
|
1920
|
|
|
The Octopus
|
Jean Painlevé
|
France,
|
1927
|
|
|
Odd Man Out
|
Carol Reed
|
United Kingdom,
|
1947
|
|
|
The Old and the New
|
Sergei Eisenstein and Grigori Aleksandrov
|
Soviet Union,
|
1929
|
|
|
Oliver Twist
|
David Lean
|
United Kingdom,
|
1948
|
|
|
One Wonderful Sunday
|
Akira Kurosawa
|
Japan,
|
1947
|
|
|
Ornamental Hairpin
|
Hiroshi Shimizu
|
Japan,
|
1941
|
|
|
Paisan
|
Roberto Rossellini
|
Italy,
|
1946
|
|
|
Pandora’s Box
|
G. W. Pabst
|
Germany,
|
1929
|
|
|
Panique
|
Julien Duvivier
|
France,
|
1946
|
|
|
The Passionate Friends
|
David Lean
|
United States,
|
1949
|
|
|
The Passion of Joan of Arc
|
Carl Th. Dreyer
|
France,
|
1928
|
|
|
Pay Day
|
Charles Chaplin
|
United States,
|
1922
|
|
|
The Phantom Carriage
|
Victor Sjöström
|
Sweden,
|
1921
|
|
|
Phoenix
|
Keisuke Kinoshita
|
Japan,
|
1947
|
|
|
Piccadilly
|
E. A. Dupont
|
United Kingdom,
|
1929
|
|
|
The Pilgrim
|
Charles Chaplin
|
United States,
|
1923
|
|
|
Les portes de la nuit
|
Marcel Carné
|
France,
|
1946
|
|
|
Port of Call
|
Ingmar Bergman
|
Sweden,
|
1948
|
|
|
The Portrait
|
Keisuke Kinoshita
|
Japan,
|
1948
|
|
|
Record of a Tenement Gentleman
|
Yasujiro Ozu
|
Japan,
|
1947
|
|
|
The Red Shoes
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1948
|
|
|
Remorques
|
Jean Grémillon
|
France,
|
1941
|
|
|
The Rocking Horse Winner
|
Anthony Pelissier
|
United Kingdom,
|
1949
|
|
|
Rome Open City
|
Roberto Rossellini
|
Italy,
|
1945
|
|
|
Rope
|
Alfred Hitchcock
|
United States,
|
1948
|
|
|
Saboteur
|
Alfred Hitchcock
|
United States,
|
1942
|
|
|
Safety Last!
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1923
|
|
|
The Saga of Gösta Berling
|
Mauritz Stiller
|
United States,
|
1924
|
|
|
A Sailor-Made Man
|
Fred C. Newmeyer
|
United States,
|
1921
|
|
|
Sanshiro Sugata
|
Akira Kurosawa
|
Japan,
|
1943
|
|
|
Sanshiro Sugata, Part Two
|
Akira Kurosawa
|
Japan,
|
1945
|
|
|
School for Postmen
|
Jacques Tati
|
France,
|
1947
|
|
|
Sea Urchins
|
Jean Painlevé
|
France,
|
1928
|
|
|
The Sea Wolf
|
Michael Curtiz
|
United States,
|
1941
|
|
|
The Secret of the Marquise
|
Lotte Reiniger
|
Germany,
|
1922
|
|
|
The Seventh Veil
|
Compton Bennett
|
United Kingdom,
|
1945
|
|
|
Shadow of a Doubt
|
Alfred Hitchcock
|
United States,
|
1943
|
|
|
A Ship to India
|
Ingmar Bergman
|
Sweden,
|
1947
|
|
|
Le silence de la mer
|
Jean-Pierre Melville
|
France,
|
1949
|
|
|
The Small Back Room
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1949
|
|
|
Snow Trail
|
Senkichi Taniguchi
|
Japan,
|
1947
|
|
|
Speedy
|
Ted Wilde
|
United States,
|
1928
|
|
|
The Stickleback's Egg
|
Jean Painlevé
|
France,
|
1925
|
|
|
A Straightforward Boy
|
Yasujiro Ozu
|
Japan,
|
1929
|
|
|
Strange Victory
|
Leo Hurwitz
|
United States,
|
1948
|
|
|
Stray Dog
|
Akira Kurosawa
|
Japan,
|
1949
|
|
|
Strike
|
Sergei Eisenstein
|
Soviet Union,
|
1925
|
|
|
Suspicion
|
Alfred Hitchcock
|
United States,
|
1941
|
|
|
Sylvie et le fantôme
|
Claude Autant-Lara
|
France,
|
1946
|
|
|
That Hamilton Woman
|
Alexander Korda
|
United Kingdom,
|
1941
|
|
|
There Was a Father
|
Yasujiro Ozu
|
Japan,
|
1942
|
|
|
They Drive by Night
|
Raoul Walsh
|
United States,
|
1940
|
|
|
The Thief of Bagdad
|
Ludwig Berger, Michael Powell, and Tim Whelan
|
United Kingdom,
|
1940
|
|
|
Thirst
|
Ingmar Bergman
|
Sweden,
|
1949
|
|
|
This Happy Breed
|
David Lean
|
United Kingdom,
|
1944
|
|
|
Torment
|
Alf Sjöberg
|
Sweden,
|
1944
|
|
|
The Unknown
|
Tod Browning
|
United States,
|
1927
|
|
|
Utamaro and His Five Women
|
Kenji Mizoguchi
|
Japan,
|
1946
|
|
|
The Vampire
|
Jean Painlevé
|
France,
|
1945
|
|
|
Les visiteurs du soir
|
Marcel Carné
|
France,
|
1942
|
|
|
The Volunteer
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1943
|
|
|
Welcome Danger
|
Clyde Bruckman
|
United States,
|
1929
|
|
|
Why Worry?
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1923
|
|
|
The Wicked Lady
|
Leslie Arliss
|
United Kingdom,
|
1945
|
|
|
Woman
|
Keisuke Kinoshita
|
Japan,
|
1948
|
|
|
A Woman of Paris
|
Charles Chaplin
|
United States,
|
1923
|
|
|
Women of the Night
|
Kenji Mizoguchi
|
Japan,
|
1948
|
|
|
Yotsuya Kaidan, Part I
|
Keisuke Kinoshita
|
Japan,
|
1949
|
|
|
Yotsuya kaidan, Part II
|
Keisuke Kinoshita
|
Japan,
|
1949
|
