|
|
3:10 to Yuma
|
Delmer Daves
|
United States,
|
1957
|
|
|
21 Days
|
Basil Dean
|
United Kingdom,
|
1940
|
|
|
24 Hours in the Life of a Clown
|
Jean-Pierre Melville
|
France,
|
1946
|
|
|
THE 47 RONIN: Part 1
|
Kenji Mizoguchi
|
Japan,
|
1941
|
|
|
THE 47 RONIN: Part 2
|
Kenji Mizoguchi
|
Japan,
|
1941
|
|
|
49th Parallel
|
Michael Powell
|
United Kingdom,
|
1941
|
|
|
The 400 Blows
|
François Truffaut
|
France,
|
1959
|
|
|
The Adventures of Prince Achmed
|
Lotte Reiniger
|
Germany,
|
1926
|
|
|
Africa on the Seine
|
Paulin Soumanou Vieyra and Mamadou Sarr
|
Senegal,
|
1955
|
|
|
After the Curfew
|
Usmar Ismail
|
Indonesia,
|
1954
|
|
|
The Age of Swordfish
|
Vittorio De Seta
|
Italy,
|
1954
|
|
|
Aladdin and the Magic Lamp
|
Lotte Reiniger
|
United Kingdom,
|
1954
|
|
|
All That Money Can Buy (a.k.a. The Devil and Daniel Webster)
|
William Dieterle
|
United States,
|
1941
|
|
|
All the Boys Are Called Patrick
|
Jean-Luc Godard
|
France,
|
1959
|
|
|
Le amiche
|
Michelangelo Antonioni
|
Italy,
|
1955
|
|
|
L’amore
|
Roberto Rossellini
|
Italy,
|
1948
|
|
|
And God Created Woman
|
Roger Vadim
|
France,
|
1956
|
|
|
And Now Miguel
|
Joseph Krumgold
|
United States,
|
1953
|
|
|
Androcles and the Lion
|
Chester Erskine
|
United Kingdom,
|
1952
|
|
|
Anna Karenina
|
Julien Duvivier
|
United Kingdom,
|
1948
|
|
|
Aparajito
|
Satyajit Ray
|
India,
|
1956
|
|
|
Apostasy
|
Keisuke Kinoshita
|
Japan,
|
1948
|
|
|
Appalachian Spring
|
Peter Glushanok
|
United States,
|
1958
|
|
|
Apur Sansar
|
Satyajit Ray
|
India,
|
1959
|
|
|
Araya
|
Margot Benacerraf
|
Venezuela,
|
1959
|
|
|
Army
|
Keisuke Kinoshita
|
Japan,
|
1944
|
|
|
Ars
|
Jacques Demy
|
France,
|
1959
|
|
|
Ashes and Diamonds
|
Andrzej Wajda
|
Poland,
|
1958
|
|
|
Ask Father
|
Hal Roach
|
United States,
|
1919
|
|
|
L’assassin habite au 21
|
Henri-Georges Clouzot
|
France,
|
1942
|
|
|
The Atomic Submarine
|
Spencer G. Bennet
|
United States,
|
1959
|
|
|
Baby
|
D. A. Pennebaker
|
United States,
|
1954
|
|
|
Ballad of a Soldier
|
Grigori Chukhrai
|
Soviet Union,
|
1959
|
|
|
The Ballad of Narayama
|
Keisuke Kinoshita
|
Japan,
|
1958
|
|
|
Bashful
|
Alfred J. Goulding
|
United States,
|
1917
|
|
|
Battleship Potemkin
|
Sergei Eisenstein
|
Russia,
|
1925
|
|
|
Le beau Serge
|
Claude Chabrol
|
France,
|
1958
|
|
|
Beautiful Days
|
Masaki Kobayashi
|
Japan,
|
1955
|
|
|
Beauty and the Beast
|
Jean Cocteau
|
France,
|
1946
|
|
|
Bicycle Thieves
|
Vittorio De Sica
|
Italy,
|
1948
|
|
|
Il bidone
|
Federico Fellini
|
Italy,
|
1955
|
|
|
Big Deal on Madonna Street
|
Mario Monicelli
|
Italy,
|
1958
|
|
|
The Big Idea
|
Gilbert Pratt and Hal Mohr
|
United States,
|
1917
|
|
|
Billy Blazes, Esq.
|
Hal Roach
|
United States,
|
1919
|
|
|
Bitter Rice
|
Giuseppe De Santis
|
Italy,
|
1949
|
|
|
Blackmail
|
Alfred Hitchcock
|
United Kingdom,
|
1929
|
|
|
Black Narcissus
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1947
|
|
|
Black Orpheus
|
Marcel Camus
|
France,
|
1959
|
|
|
Black River
|
Masaki Kobayashi
|
Japan,
|
1956
|
|
|
Blanche Fury
|
Marc Allégret
|
United Kingdom,
|
1948
|
|
|
Blithe Spirit
|
David Lean
|
United Kingdom,
|
1945
|
|
|
The Blob
|
Irvin S. Yeaworth Jr.
|
United States,
|
1958
|
|
|
Blood of the Beasts
|
Georges Franju
|
France,
|
1949
|
|
|
Bonjour Tristesse
|
Otto Preminger
|
United Kingdom,
|
1958
|
|
|
Born to Be Bad
|
Nicholas Ray
|
United States,
|
1950
|
|
|
Born Yesterday
|
George Cukor
|
United States,
|
1950
|
|
|
Boyfriend in Sight
|
Luis García Berlanga
|
Spain,
|
1954
|
|
|
Boyhood
|
Keisuke Kinoshita
|
Japan,
|
1951
|
|
|
The Breaking Point
|
Michael Curtiz
|
United States,
|
1950
|
|
|
The Bridge
|
Bernhard Wicki
|
Germany,
|
1959
|
|
|
The Bridge on the River Kwai
|
David Lean
|
United Kingdom,
|
1957
|
|
|
Bridges-Go-Round 1
|
Shirley Clarke
|
United States,
|
1958
|
|
|
Bridges-Go-Round 2
|
Shirley Clarke
|
United States,
|
1958
|
|
|
Brief Encounter
|
David Lean
|
United Kingdom,
|
1945
|
|
|
Brink of Life
|
Ingmar Bergman
|
Sweden,
|
1958
|
|
|
Broken Drum
|
Keisuke Kinoshita
|
Japan,
|
1949
|
|
|
Brothers and Sisters of the Toda Family
|
Yasujiro Ozu
|
Japan,
|
1941
|
|
|
The Browning Version
|
Anthony Asquith
|
United Kingdom,
|
1951
|
|
|
Brussels Film Loops/Gestures/World Kitchen
|
Shirley Clarke and D. A. Pennebaker
|
United States,
|
1957
|
|
|
Brute Force
|
Jules Dassin
|
United States,
|
1947
|
|
|
Bullfight
|
Shirley Clarke
|
United States,
|
1955
|
|
|
Bumping into Broadway
|
Hal Roach
|
United States,
|
1919
|
|
|
The Burmese Harp
|
Kon Ichikawa
|
Japan,
|
1956
|
|
|
By the Sad Sea Waves
|
Alfred J. Goulding
|
United States,
|
1917
|
|
|
Caesar and Cleopatra
|
Gabriel Pascal
|
United Kingdom,
|
1945
|
|
|
Caged
|
John Cromwell
|
United States,
|
1950
|
|
|
The Caliph Stork
|
Lotte Reiniger
|
Germany,
|
1954
|
|
|
A Canterbury Tale
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1944
|
|
|
Captain Kidd’s Kids
|
Hal Roach
|
United States,
|
1919
|
|
|
The Card
|
Ronald Neame
|
United States,
|
1952
|
|
|
Carmen Comes Home
|
Keisuke Kinoshita
|
Japan,
|
1951
|
|
|
Carmen’s Innocent Love
|
Keisuke Kinoshita
|
Japan,
|
1952
|
|
|
Casque d’or
|
Jacques Becker
|
France,
|
1952
|
|
|
Chains
|
Raffaello Matarazzo
|
Italy,
|
1949
|
|
|
A Chairy Tale
|
Claude Jutra and Norman McLaren
|
Canada,
|
1957
|
|
|
Le chant du styrène
|
Alain Resnais
|
France,
|
1958
|
|
|
Charlotte et son Jules
|
Jean-Luc Godard
|
France,
|
1959
|
|
|
The Children Are Watching Us
|
Vittorio De Sica
|
Italy,
|
1944
|
|
|
Children of Paradise
|
Marcel Carné
|
France,
|
1945
|
|
|
A Christmas Dream
|
Karel Zeman
|
Czechoslovakia,
|
1945
|
|
|
Le ciel est à vous
|
Jean Grémillon
|
France,
|
1944
|
|
|
The Circus
|
Charles Chaplin
|
United States,
|
1928
|
|
|
Come Back, Africa
|
Lionel Rogosin
|
United States,
|
1959
|
|
|
Confidential Report
|
Orson Welles
|
Switzerland,
|
1955
|
|
|
Conflagration
|
Kon Ichikawa
|
Japan,
|
1958
|
|
|
Le Corbeau
|
Henri-Georges Clouzot
|
France,
|
1943
|
|
|
Corridors of Blood
|
Robert Day
|
United States,
|
1959
|
|
|
Le coup du berger
|
Jacques Rivette
|
France,
|
1956
|
|
|
Les cousins
|
Claude Chabrol
|
France,
|
1959
|
|
|
The Cranes Are Flying
|
Mikhail Kalatozov
|
Soviet Union,
|
1957
|
|
|
Crazed Fruit
|
Kô Nakahira
|
Japan,
|
1956
|
|
|
Crazeologie
|
Louis Malle
|
France,
|
1954
|
|
|
Crisis
|
Ingmar Bergman
|
Sweden,
|
1946
|
|
|
The Cry of Jazz
|
Edward Bland
|
United States,
|
1959
|
|
|
Les dames du Bois de Boulogne
|
Robert Bresson
|
France,
|
1945
|
|
|
The Damned Don’t Cry
|
Vincent Sherman
|
United States,
|
1950
|
|
|
Dance in the Sun
|
Shirley Clarke
|
United States,
|
1953
|
|
|
A Dancer’s World
|
Peter Glushanok
|
United States,
|
1957
|
|
|
Danger Stalks Near
|
Keisuke Kinoshita
|
Japan,
|
1957
|
|
|
Daphnia
|
Jean Painlevé
|
France,
|
1928
|
|
|
Date with Dizzy
|
John Hubley
|
United States,
|
1955
|
|
|
The Daughter of Dawn
|
Norbert A. Myles
|
United States,
|
1920
|
|
|
Daybreak Express
|
D. A. Pennebaker
|
United States,
|
1953
|
|
|
A Day in Barbagia
|
Vittorio De Seta
|
Italy,
|
1958
|
|
|
Day of Wrath
|
Carl Th. Dreyer
|
Denmark,
|
1943
|
|
|
A Day’s Pleasure
|
Charles Chaplin
|
United States,
|
1919
|
|
|
Death of a Cyclist
|
Juan Antonio Bardem
|
Spain,
|
1955
|
|
|
Detour
|
Edgar G. Ulmer
|
United States,
|
1945
|
|
|
Diabolique
|
Henri-Georges Clouzot
|
France,
|
1955
|
|
|
A Dog’s Life
|
Charles Chaplin
|
United States,
|
1918
|
|
|
Douce
|
Claude Autant-Lara
|
France,
|
1943
|
|
|
Downhill
|
Alfred Hitchcock
|
United Kingdom,
|
1927
|
|
|
Dr. Dolittle: A Trip to Africa
|
Lotte Reiniger
|
Germany,
|
1923
|
|
|
DR. DOLITTLE: LION’S DEN: English Version
|
Lotte Reiniger
|
Germany,
|
1923
|
|
|
DR. DOLITTLE: LION’S DEN: German Version
|
Lotte Reiniger
|
Germany,
|
1923
|
|
|
Dreams
|
Ingmar Bergman
|
Sweden,
|
1955
|
|
|
Dr. Jack
|
Fred C. Newmeyer
|
United States,
|
1922
|
|
|
Drunken Angel
|
Akira Kurosawa
|
Japan,
|
1948
|
|
|
Du côté de la côte
|
Agnès Varda
|
France,
|
1958
|
|
|
The Dumb Girl of Portici
|
Lois Weber and Phillips Smalley
|
United States,
|
1916
|
|
|
Early Spring
|
Yasujiro Ozu
|
Japan,
|
1956
|
|
|
Early Summer
|
Yasujiro Ozu
|
Japan,
|
1951
|
|
|
The Earrings of Madame de . . .
|
Max Ophuls
|
France,
|
1953
|
|
|
Easter in Sicily
|
Vittorio De Seta
|
Italy,
|
1955
|
|
|
An Eastern Westerner
|
Hal Roach
|
United States,
|
1920
|
|
|
Elena and Her Men
|
Jean Renoir
|
France,
|
1956
|
|
|
Elevator to the Gallows
|
Louis Malle
|
France,
|
1958
|
|
|
Endless Desire
|
Shohei Imamura
|
Japan,
|
1958
|
|
|
Les enfants terribles
|
Jean-Pierre Melville
|
France,
|
1950
|
|
|
Entr'acte
|
René Clair
|
France,
|
1924
|
|
|
Equinox Flower
|
Yasujiro Ozu
|
Japan,
|
1958
|
|
|
The Eternal Rainbow
|
Keisuke Kinoshita
|
Japan,
|
1958
|
|
|
The Eternal Return
|
Jean Delannoy
|
France,
|
1943
|
|
|
Europa ’51
|
Roberto Rossellini
|
Italy,
|
1952
|
|
|
Europe ’51
|
Roberto Rossellini
|
Italy,
|
1952
|
|
|
Eva
|
Gustaf Molander
|
Sweden,
|
1948
|
|
|
Fanfan la Tulipe
|
Christian-Jaque
|
France,
|
1952
|
|
|
Farewell to Dream
|
Keisuke Kinoshita
|
Japan,
|
1956
|
|
|
Farewell to Spring
|
Keisuke Kinoshita
|
Japan,
|
1959
|
|
|
Fear
|
Roberto Rossellini
|
West Germany,
|
1954
|
|
|
Fiend Without a Face
|
Arthur Crabtree
|
United Kingdom,
|
1958
|
|
|
Fires on the Plain
|
Kon Ichikawa
|
Japan,
|
1959
|
|
|
Fireworks Over the Sea
|
Keisuke Kinoshita
|
Japan,
|
1951
|
|
|
First Man into Space
|
Robert Day
|
United States,
|
1959
|
|
|
The First of the Few
|
Leslie Howard
|
United Kingdom,
|
1942
|
|
|
Fishing Boats
|
Vittorio De Seta
|
Italy,
|
1958
|
|
|
The Flavor of Green Tea over Rice
|
Yasujiro Ozu
|
Japan,
|
1952
|
|
|
Floating Clouds
|
Mikio Naruse
|
Japan,
|
1955
|
|
|
Floating Weeds
|
Yasujiro Ozu
|
Japan,
|
1959
|
|
|
The Flowers of St. Francis
|
Roberto Rossellini
|
Italy,
|
1950
|
|
|
Flowing
|
Mikio Naruse
|
Japan,
|
1956
|
|
|
The Flying Coffer
|
Lotte Reiniger
|
Germany,
|
1922
|
|
|
Forever a Woman
|
Kinuyo Tanaka
|
Japan,
|
1955
|
|
|
The Forgotten
|
Vittorio De Seta
|
Italy,
|
1959
|
|
|
For Heaven’s Sake
|
Sam Taylor
|
United States,
|
1926
|
|
|
Fountainhead
|
Masaki Kobayashi
|
Japan,
|
1956
|
|
|
French Cancan
|
Jean Renoir
|
France,
|
1955
|
|
|
The Freshman
|
Sam Taylor and Fred Newmeyer
|
United States,
|
1925
|
|
|
Freshwater Assassins
|
Jean Painlevé
|
France,
|
1947
|
|
|
From Here to Eternity
|
Fred Zinnemann
|
United States,
|
1953
|
|
|
The Garden of Women
|
Keisuke Kinoshita
|
Japan,
|
1954
|
|
|
A Gasoline Wedding
|
Alfred J. Goulding
|
United States,
|
1918
|
|
|
Gate of Hell
|
Teinosuke Kinugasa
|
Japan,
|
1953
|
|
|
A Generation
|
Andrzej Wajda
|
Poland,
|
1955
|
|
|
Gente del Po
|
Michelangelo Antonioni
|
Italy,
|
1947
|
|
|
Germany Year Zero
|
Roberto Rossellini
|
Germany,
|
1948
|
|
|
Get Out and Get Under
|
Hal Roach
|
United States,
|
1920
|
|
|
Ginza Cosmetics
|
Mikio Naruse
|
Japan,
|
1951
|
|
|
The Girl I Loved
|
Keisuke Kinoshita
|
Japan,
|
1946
|
|
|
Girl Shy
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1924
|
|
|
Godzilla
|
Ishiro Honda
|
Japan,
|
1954
|
|
|
Godzilla, King of the Monsters
|
Ishiro Honda and Terry O. Morse
|
Japan,
|
1956
|
|
|
Godzilla Raids Again
|
Motoyoshi Oda
|
Japan,
|
1955
|
|
|
The Golden Coach
|
Jean Renoir
|
France,
|
1953
|
|
|
Golden Demon
|
Koji Shima
|
Japan,
|
1954
|
|
|
Golden Parable
|
Vittorio De Seta
|
Italy,
|
1955
|
|
|
The Gold Rush
|
Charles Chaplin
|
United States,
|
1942
|
|
|
THE GOLD RUSH: 1925 Version
|
Charles Chaplin
|
United States,
|
1925
|
|
|
The Good Fairy
|
Keisuke Kinoshita
|
Japan,
|
1951
|
|
|
Good Morning
|
Yasujiro Ozu
|
Japan,
|
1959
|
|
|
Les Grandes Manœuvres
|
René Clair
|
France,
|
1955
|
|
|
Grandma's Boy
|
Fred C. Newmeyer
|
United States,
|
1922
|
|
|
Grass: A Nation’s Battle for Life
|
Merian C. Cooper and Ernest B. Schoedsack
|
United States,
|
1925
|
|
|
The Great Dictator
|
Charles Chaplin
|
United States,
|
1940
|
|
|
Great Expectations
|
David Lean
|
United Kingdom,
|
1946
|
|
|
Green for Danger
|
Sidney Gilliat
|
United Kingdom,
|
1946
|
|
|
Green Grow the Rushes
|
Derek N. Twist
|
United States,
|
1951
|
|
|
Gun Crazy
|
Joseph H. Lewis
|
United States,
|
1950
|
|
|
Hamlet
|
Laurence Olivier
|
United Kingdom,
|
1948
|
|
|
Haunted Spooks
|
Hal Roach and Alfred J. Goulding
|
United States,
|
1920
|
|
|
The Haunted Strangler
|
Robert Day
|
United States,
|
1958
|
|
|
Häxan
|
Benjamin Christensen
|
Denmark,
|
1922
|
|
|
Hell Drivers
|
Cy Endfield
|
United Kingdom,
|
1957
|
|
|
A Hen in the Wind
|
Yasujiro Ozu
|
Japan,
|
1948
|
|
|
Henry V
|
Laurence Olivier
|
United Kingdom,
|
1944
|
|
|
Here’s to the Young Lady
|
Keisuke Kinoshita
|
Japan,
|
1949
|
|
|
He Who Is Without Sin...
|
Raffaello Matarazzo
|
Italy,
|
1952
|
|
|
The Hidden Fortress
|
Akira Kurosawa
|
Japan,
|
1958
|
|
|
High and Dizzy
|
Hal Roach
|
United States,
|
1920
|
|
|
Hiroshima mon amour
|
Alain Resnais
|
France,
|
1959
|
|
|
His Royal Slyness
|
Hal Roach
|
United States,
|
1920
|
|
|
Hobson’s Choice
|
David Lean
|
United Kingdom,
|
1954
|
|
|
Les horizons morts
|
Jacques Demy
|
France,
|
1951
|
|
|
A Horseshoe for Luck
|
Karel Zeman
|
Czechoslovakia,
|
1946
|
|
|
The Horse’s Mouth
|
Ronald Neame
|
United Kingdom,
|
1958
|
|
|
The Human Condition I
|
Masaki Kobayashi
|
Japan,
|
1959
|
|
|
The Human Condition II
|
Masaki Kobayashi
|
Japan,
|
1959
|
|
|
Hyas and Stenorhynchus
|
Jean Painlevé
|
France,
|
1927
|
|
|
I Am Waiting
|
Koreyoshi Kurahara
|
Japan,
|
1957
|
|
|
An Ideal Husband
|
Alexander Korda
|
United Kingdom,
|
1947
|
|
|
The Idiot
|
Akira Kurosawa
|
Japan,
|
1951
|
|
|
The Idle Class
|
Charles Chaplin
|
United States,
|
1921
|
|
|
I Graduated, But...
|
Yasujiro Ozu
|
Japan,
|
1929
|
|
|
Ikiru
|
Akira Kurosawa
|
Japan,
|
1952
|
|
|
I Know Where I’m Going!
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1945
|
|
|
I Live in Fear
|
Akira Kurosawa
|
Japan,
|
1955
|
|
|
The Immigrant
|
Charles Chaplin
|
United States,
|
1917
|
|
|
The Importance of Being Earnest
|
Anthony Asquith
|
United Kingdom,
|
1952
|
|
|
In a Lonely Place
|
Nicholas Ray
|
United States,
|
1950
|
|
|
India: Matri Bhumi
|
Roberto Rossellini
|
Italy,
|
1959
|
|
|
In Paris Parks
|
Shirley Clarke
|
United States,
|
1954
|
|
|
Inspiration
|
Karel Zeman
|
Czechoslovakia,
|
1949
|
|
|
Invention for Destruction
|
Karel Zeman
|
Czechoslovakia,
|
1958
|
|
|
In Which We Serve
|
David Lean…
|
United Kingdom,
|
1942
|
|
|
I See a Dark Stranger
|
Frank Launder
|
United Kingdom,
|
1946
|
|
|
Islands of Fire
|
Vittorio De Seta
|
Italy,
|
1954
|
|
|
Ivan the Terrible, Part I
|
Sergei Eisenstein
|
Soviet Union,
|
1944
|
|
|
Ivan the Terrible, Part II
|
Sergei Eisenstein
|
Soviet Union,
|
1958
|
|
|
I vitelloni
|
Federico Fellini
|
Italy,
|
1953
|
|
|
I Will Buy You
|
Masaki Kobayashi
|
Japan,
|
1956
|
|
|
A Japanese Tragedy
|
Keisuke Kinoshita
|
Japan,
|
1953
|
|
|
Jour de fête
|
Jacques Tati
|
France,
|
1949
|
|
|
Journey to Italy
|
Roberto Rossellini
|
Italy,
|
1954
|
|
|
Journey to the Beginning of Time
|
Karel Zeman
|
Czechoslovakia,
|
1955
|
|
|
Jubilation Street
|
Keisuke Kinoshita
|
Japan,
|
1944
|
|
|
June Night
|
Per Lindberg
|
Sweden,
|
1940
|
|
|
Jungle Book
|
Zoltán Korda
|
United Kingdom,
|
1942
|
|
|
Just Neighbors
|
Harold Lloyd and Frank Terry
|
United States,
|
1919
|
|
|
Kanal
|
Andrzej Wajda
|
Poland,
|
1957
|
|
|
Kapò
|
Gillo Pontecorvo
|
Italy,
|
1959
|
|
|
The Kid
|
Charles Chaplin
|
United States,
|
1921
|
|
|
The Kid Brother
|
Ted Wilde
|
United States,
|
1927
|
|
|
A Kid for Two Farthings
|
Carol Reed
|
United Kingdom,
|
1955
|
|
|
A King in New York
|
Charles Chaplin
|
United Kingdom,
|
1957
|
|
|
King Lavra
|
Karel Zeman
|
Czechoslovakia,
|
1950
|
|
|
The King of Kings
|
Cecil B. DeMille
|
United States,
|
1927
|
|
|
The Ladykillers
|
Alexander Mackendrick
|
United Kingdom,
|
1955
|
|
|
The Lamp
|
Roman Polanski
|
Poland,
|
1959
|
|
|
LA ROUE: Part 1
|
Abel Gance
|
France,
|
1923
|
|
|
LA ROUE: Part 2
|
Abel Gance
|
France,
|
1923
|
|
|
LA ROUE: Part 3
|
Abel Gance
|
France,
|
1923
|
|
|
LA ROUE: Part 4
|
Abel Gance
|
France,
|
1923
|
|
|
Last Holiday
|
Henry Cass
|
United Kingdom,
|
1950
|
|
|
Late Chrysanthemums
|
Mikio Naruse
|
Japan,
|
1954
|
|
|
Late Spring
|
Yasujiro Ozu
|
Japan,
|
1949
|
|
|
A Lesson in Love
|
Ingmar Bergman
|
Sweden,
|
1954
|
|
|
Letter from Siberia
|
Chris Marker
|
France,
|
1957
|
|
|
Letter Never Sent
|
Mikhail Kalatozov
|
Soviet Union,
|
1959
|
|
|
Let There Be Light
|
John Huston
|
United States,
|
1946
|
|
|
Lettres d’amour
|
Claude Autant-Lara
|
France,
|
1942
|
|
|
The Life and Death of Colonel Blimp
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1943
|
|
|
The Life of Oharu
|
Kenji Mizoguchi
|
Japan,
|
1952
|
|
|
Limelight
|
Charles Chaplin
|
United States,
|
1952
|
|
|
The Living Magoroku
|
Keisuke Kinoshita
|
Japan,
|
1943
|
|
|
The Lodger: A Story of the London Fog
|
Alfred Hitchcock
|
United Kingdom,
|
1927
|
|
|
Lola Montès
|
Max Ophuls
|
Germany,
|
1955
|
|
|
Lonesome Luke, Messenger
|
Hal Roach
|
United States,
|
1917
|
|
|
Look Back in Anger
|
Tony Richardson
|
United Kingdom,
|
1958
|
|
|
Looking for Sally
|
Leo McCarey
|
United States,
|
1925
|
|
|
Look Pleasant, Please
|
Alfred J. Goulding
|
United States,
|
1918
|
|
|
Love Letter
|
Kinuyo Tanaka
|
Japan,
|
1953
|
|
|
The Lovers
|
Louis Malle
|
France,
|
1958
|
|
|
The Lower Depths
|
Akira Kurosawa
|
Japan,
|
1957
|
|
|
Lumière d’été
|
Jean Grémillon
|
France,
|
1943
|
|
|
Lydia
|
Julien Duvivier
|
United Kingdom,
|
1941
|
|
|
Macao
|
Josef von Sternberg
|
United States,
|
1952
|
|
|
The Machine That Kills Bad People
|
Roberto Rossellini
|
Italy,
|
1952
|
|
|
Madeleine
|
David Lean
|
United States,
|
1950
|
|
|
Madonna of the Seven Moons
|
Arthur Crabtree
|
United Kingdom,
|
1945
|
|
|
The Magic Horse
|
Lotte Reiniger
|
United Kingdom,
|
1953
|
|
|
The Magician
|
Ingmar Bergman
|
Sweden,
|
1958
|
|
|
La main du diable
|
Maurice Tourneur
|
France,
|
1943
|
|
|
Major Barbara
|
Gabriel Pascal
|
United Kingdom,
|
1941
|
|
|
A Man Escaped
|
Robert Bresson
|
France,
|
1956
|
|
|
The Man in Grey
|
Leslie Arliss
|
United Kingdom,
|
1943
|
|
|
A Man There Was
|
Victor Sjöström
|
Sweden,
|
1917
|
|
|
The Marathon
|
Alfred J. Goulding
|
Netherlands,
|
1919
|
|
|
Le mariage de Chiffon
|
Claude Autant-Lara
|
France,
|
1942
|
|
|
Master of the House
|
Carl Th. Dreyer
|
Denmark,
|
1925
|
|
|
The Men Who Tread on the Tiger’s Tail
|
Akira Kurosawa
|
Japan,
|
1945
|
|
|
Mighty Like a Moose
|
Leo McCarey
|
United States,
|
1926
|
|
|
Miracle in Milan
|
Vittorio De Sica
|
Italy,
|
1951
|
|
|
Miracles of Thursday
|
Luis García Berlanga
|
Spain,
|
1957
|
|
|
Miss Julie
|
Alf Sjöberg
|
Sweden,
|
1951
|
|
|
Les mistons
|
François Truffaut
|
France,
|
1957
|
|
|
A Moment in Love
|
Shirley Clarke
|
United States,
|
1956
|
|
|
Mon oncle
|
Jacques Tati
|
France,
|
1958
|
|
|
Monsieur Hulot’s Holiday
|
Jacques Tati
|
France,
|
1953
|
|
|
Monsieur Verdoux
|
Charles Chaplin
|
United States,
|
1947
|
|
|
Moonbird
|
John Hubley
|
United States,
|
1959
|
|
|
The Moon Has Risen
|
Kinuyo Tanaka
|
Japan,
|
1955
|
|
|
Morning for the Osone Family
|
Keisuke Kinoshita
|
Japan,
|
1946
|
|
|
The Most Beautiful
|
Akira Kurosawa
|
Japan,
|
1944
|
|
|
Mother
|
Mikio Naruse
|
Japan,
|
1952
|
|
|
MR. ARKADIN: The Comprehensive Version
|
Orson Welles
|
France,
|
1955
|
|
|
MR. ARKADIN: The Corinth Version
|
Orson Welles
|
France,
|
1955
|
|
|
Muhomatsu, the Rickshaw Man
|
Hiroshi Inagaki
|
Japan,
|
1958
|
|
|
The Munekata Sisters
|
Yasujiro Ozu
|
Japan,
|
1950
|
|
|
Murder
|
Roman Polanski
|
Poland,
|
1957
|
|
|
The Music Room
|
Satyajit Ray
|
India,
|
1958
|
|
|
The Mysterians
|
Ishiro Honda
|
Japan,
|
1957
|
|
|
The Mystery of Picasso
|
Henri-Georges Clouzot
|
France,
|
1956
|
|
|
The Naked City
|
Jules Dassin
|
United States,
|
1948
|
|
|
Never Fear
|
Ida Lupino
|
United States,
|
1950
|
|
|
Never Weaken
|
Fred C. Newmeyer and Sam Taylor
|
United States,
|
1921
|
|
|
Next Aisle Over
|
Hal Roach
|
United States,
|
1919
|
|
|
Nice and Friendly
|
Charles Chaplin
|
United States,
|
1922
|
|
|
Night and Fog
|
Alain Resnais
|
France,
|
1955
|
|
|
Night and the City
|
Jules Dassin
|
United States,
|
1950
|
|
|
Night Drum
|
Tadashi Imai
|
Japan,
|
1958
|
|
|
The Night Heaven Fell
|
Roger Vadim
|
France,
|
1958
|
|
|
A Night in the Show
|
Charles Chaplin
|
United States,
|
1915
|
|
|
A Night to Remember
|
Roy Ward Baker
|
United Kingdom,
|
1958
|
|
|
Nobody’s Children
|
Raffaello Matarazzo
|
Italy,
|
1952
|
|
|
No Regrets for Our Youth
|
Akira Kurosawa
|
Japan,
|
1946
|
|
|
Le notti bianche
|
Luchino Visconti
|
Italy,
|
1957
|
|
|
No Way Out
|
Joseph L. Mankiewicz
|
United States,
|
1950
|
|
|
N.U.
|
Michelangelo Antonioni
|
Italy,
|
1948
|
|
|
Number, Please?
|
Hal Roach and Fred Newmeyer
|
United States,
|
1920
|
|
|
The Octopus
|
Jean Painlevé
|
France,
|
1927
|
|
|
Odd Man Out
|
Carol Reed
|
United Kingdom,
|
1947
|
|
|
Odd Obsession
|
Kon Ichikawa
|
Japan,
|
1959
|
|
|
The Old and the New
|
Sergei Eisenstein and Grigori Aleksandrov
|
Soviet Union,
|
1929
|
|
|
Oliver Twist
|
David Lean
|
United Kingdom,
|
1948
|
|
|
One Wonderful Sunday
|
Akira Kurosawa
|
Japan,
|
1947
|
|
|
On the Bowery
|
Lionel Rogosin
|
United States,
|
1956
|
|
|
On the Waterfront
|
Elia Kazan
|
United States,
|
1954
|
|
|
L’Opéra mouffe
|
Agnès Varda
|
France,
|
1958
|
|
|
Ordet
|
Carl Th. Dreyer
|
Denmark,
|
1955
|
|
|
Orgosolo’s Shepherds
|
Vittorio De Seta
|
Italy,
|
1958
|
|
|
Ornamental Hairpin
|
Hiroshi Shimizu
|
Japan,
|
1941
|
|
|
Orpheus
|
Jean Cocteau
|
France,
|
1950
|
|
|
Ô saisons, ô châteaux
|
Agnès Varda
|
France,
|
1958
|
|
|
Othello
|
Orson Welles
|
United States,
|
1952
|
|
|
The Outlaw and His Wife
|
Victor Sjöström
|
Sweden,
|
1918
|
|
|
Over the Fence
|
J. Farrell MacDonald and Harold Lloyd
|
United States,
|
1917
|
|
|
Paisan
|
Roberto Rossellini
|
Italy,
|
1946
|
|
|
Pandora and the Flying Dutchman
|
Albert Lewin
|
United Kingdom,
|
1951
|
|
|
Pandora’s Box
|
G. W. Pabst
|
Germany,
|
1929
|
|
|
Panic in the Streets
|
Elia Kazan
|
United States,
|
1950
|
|
|
Panique
|
Julien Duvivier
|
France,
|
1946
|
|
|
The Passionate Friends
|
David Lean
|
United States,
|
1949
|
|
|
The Passion of Joan of Arc
|
Carl Th. Dreyer
|
France,
|
1928
|
|
|
Pather Panchali
|
Satyajit Ray
|
India,
|
1955
|
|
|
Pay Day
|
Charles Chaplin
|
United States,
|
1922
|
|
|
The Perfect Game
|
Toshio Masuda
|
Japan,
|
1958
|
|
|
The Phantom Carriage
|
Victor Sjöström
|
Sweden,
|
1921
|
|
|
The Phantom Horse
|
Koji Shima
|
Japan,
|
1955
|
|
|
Phoenix
|
Keisuke Kinoshita
|
Japan,
|
1947
|
|
|
Piccadilly
|
E. A. Dupont
|
United Kingdom,
|
1929
|
|
|
Pickpocket
|
Robert Bresson
|
France,
|
1959
|
|
|
Picnic
|
Joshua Logan
|
United States,
|
1955
|
|
|
The Pilgrim
|
Charles Chaplin
|
United States,
|
1923
|
|
|
Le plaisir
|
Max Ophuls
|
France,
|
1952
|
|
|
Plucking the Daisy
|
Marc Allégret
|
France,
|
1956
|
|
|
La Pointe Courte
|
Agnès Varda
|
France,
|
1955
|
|
|
La poison
|
Sacha Guitry
|
France,
|
1951
|
|
|
Les portes de la nuit
|
Marcel Carné
|
France,
|
1946
|
|
|
Port of Call
|
Ingmar Bergman
|
Sweden,
|
1948
|
|
|
The Portrait
|
Keisuke Kinoshita
|
Japan,
|
1948
|
|
|
Presentation, or Charlotte and Her Steak
|
Eric Rohmer
|
France,
|
1951
|
|
|
Princess Yang Kwei-fei
|
Kenji Mizoguchi
|
Japan,
|
1955
|
|
|
Rashomon
|
Akira Kurosawa
|
Japan,
|
1950
|
|
|
Record of a Tenement Gentleman
|
Yasujiro Ozu
|
Japan,
|
1947
|
|
|
The Red Balloon
|
Albert Lamorisse
|
France,
|
1956
|
|
|
The Red Shoes
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1948
|
|
|
Remorques
|
Jean Grémillon
|
France,
|
1941
|
|
|
Repast
|
Mikio Naruse
|
Japan,
|
1951
|
|
|
Repeat Performance
|
Alfred L. Werker
|
United States,
|
1947
|
|
|
Return to Glennascaul
|
Hilton Edwards
|
Ireland,
|
1953
|
|
|
The Revolt of Mamie Stover
|
Raoul Walsh
|
United States,
|
1956
|
|
|
Richard III
|
Laurence Olivier
|
United Kingdom,
|
1955
|
|
|
The Rink
|
Charles Chaplin
|
United States,
|
1916
|
|
|
The River
|
Jean Renoir
|
France,
|
1951
|
|
|
Robinson Crusoe
|
Luis Buñuel
|
United States,
|
1954
|
|
|
The Rocket from Calabuch
|
Luis García Berlanga
|
Italy,
|
1956
|
|
|
The Rocking Horse Winner
|
Anthony Pelissier
|
United Kingdom,
|
1949
|
|
|
Rodan
|
Ishiro Honda
|
Japan,
|
1956
|
|
|
Rome Open City
|
Roberto Rossellini
|
Italy,
|
1945
|
|
|
La ronde
|
Max Ophuls
|
France,
|
1950
|
|
|
The Rose on His Arm
|
Keisuke Kinoshita
|
Japan,
|
1956
|
|
|
Rusty Knife
|
Toshio Masuda
|
Japan,
|
1958
|
|
|
Le sabotier du Val Loire
|
Jacques Demy
|
France,
|
1956
|
|
|
Safety Last!
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1923
|
|
|
The Saga of Gösta Berling
|
Mauritz Stiller
|
United States,
|
1924
|
|
|
A Sailor-Made Man
|
Fred C. Newmeyer
|
United States,
|
1921
|
|
|
A Sammy in Siberia
|
Hal Roach
|
United States,
|
1919
|
|
|
Samurai II: Duel at Ichijoji Temple
|
Hiroshi Inagaki
|
Japan,
|
1955
|
|
|
Samurai III: Duel at Ganryu Island
|
Hiroshi Inagaki
|
Japan,
|
1956
|
|
|
Samurai I: Musashi Miyamoto
|
Hiroshi Inagaki
|
Japan,
|
1954
|
|
|
Samurai Saga
|
Hiroshi Inagaki
|
Japan,
|
1959
|
|
|
Sanshiro Sugata
|
Akira Kurosawa
|
Japan,
|
1943
|
|
|
Sanshiro Sugata, Part Two
|
Akira Kurosawa
|
Japan,
|
1945
|
|
|
Sansho the Bailiff
|
Kenji Mizoguchi
|
Japan,
|
1954
|
|
|
Sapphire
|
Basil Dearden
|
United Kingdom,
|
1959
|
|
|
Sawdust and Tinsel
|
Ingmar Bergman
|
Sweden,
|
1953
|
|
|
Scandal
|
Akira Kurosawa
|
Japan,
|
1950
|
|
|
School for Postmen
|
Jacques Tati
|
France,
|
1947
|
|
|
Sea Ballerinas
|
Jean Painlevé
|
France,
|
1956
|
|
|
Sea Countrymen
|
Vittorio De Seta
|
Italy,
|
1955
|
|
|
Sea Urchins
|
Jean Painlevé
|
France,
|
1928
|
|
|
Sea Urchins
|
Jean Painlevé
|
France,
|
1954
|
|
|
The Secret of the Marquise
|
Lotte Reiniger
|
Germany,
|
1922
|
|
|
Senso
|
Luchino Visconti
|
Italy,
|
1954
|
|
|
Seven Samurai
|
Akira Kurosawa
|
Japan,
|
1954
|
|
|
The Seventh Seal
|
Ingmar Bergman
|
Sweden,
|
1957
|
|
|
The Seventh Veil
|
Compton Bennett
|
United Kingdom,
|
1945
|
|
|
Shadows
|
John Cassavetes
|
United States,
|
1959
|
|
|
A Ship to India
|
Ingmar Bergman
|
Sweden,
|
1947
|
|
|
Shoes
|
Lois Weber
|
United States,
|
1916
|
|
|
Shoulder Arms
|
Charles Chaplin
|
United States,
|
1918
|
|
|
Shozo, a Cat, and Two Women
|
Shirô Toyoda
|
Japan,
|
1956
|
|
|
Le silence de la mer
|
Jean-Pierre Melville
|
France,
|
1949
|
|
|
Sincerity
|
Masaki Kobayashi
|
Japan,
|
1953
|
|
|
The Small Back Room
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1949
|
|
|
Smiles of a Summer Night
|
Ingmar Bergman
|
Sweden,
|
1955
|
|
|
The Snow Flurry
|
Keisuke Kinoshita
|
Japan,
|
1959
|
|
|
Snow Trail
|
Senkichi Taniguchi
|
Japan,
|
1947
|
|
|
Solfatara
|
Vittorio De Seta
|
Italy,
|
1955
|
|
|
So Long at the Fair
|
Terence Fisher and Antony Darnborough
|
United Kingdom,
|
1950
|
|
|
Sound of the Mountain
|
Mikio Naruse
|
Japan,
|
1954
|
|
|
Speedy
|
Ted Wilde
|
United States,
|
1928
|
|
|
Spring Fever
|
Hal Roach
|
United States,
|
1919
|
|
|
Stage Fright
|
Alfred Hitchcock
|
United Kingdom,
|
1950
|
|
|
Stakeout
|
Yoshitaro Nomura
|
Japan,
|
1958
|
|
|
The Star of Bethlehem
|
Vivian Milroy and Lotte Reiniger
|
United Kingdom,
|
1956
|
|
|
The Stickleback's Egg
|
Jean Painlevé
|
France,
|
1925
|
|
|
Stolen Desire
|
Shohei Imamura
|
Japan,
|
1958
|
|
|
A Story from Chikamatsu
|
Kenji Mizoguchi
|
Japan,
|
1954
|
|
|
La strada
|
Federico Fellini
|
Italy,
|
1954
|
|
|
A Straightforward Boy
|
Yasujiro Ozu
|
Japan,
|
1929
|
|
|
Strange Victory
|
Leo Hurwitz
|
United States,
|
1948
|
|
|
Stray Dog
|
Akira Kurosawa
|
Japan,
|
1949
|
|
|
Street of Love and Hope
|
Nagisa Oshima
|
Japan,
|
1959
|
|
|
Street of Shame
|
Kenji Mizoguchi
|
Japan,
|
1956
|
|
|
Strike
|
Sergei Eisenstein
|
Soviet Union,
|
1925
|
|
|
Stromboli
|
Roberto Rossellini
|
Italy,
|
1950
|
|
|
Suddenly, Last Summer
|
Joseph L. Mankiewicz
|
United States,
|
1959
|
|
|
Summer Interlude
|
Ingmar Bergman
|
Sweden,
|
1951
|
|
|
Summertime
|
David Lean
|
United States,
|
1955
|
|
|
Summer with Monika
|
Ingmar Bergman
|
Sweden,
|
1953
|
|
|
Sunday in Peking
|
Chris Marker
|
France,
|
1956
|
|
|
Sunlight
|
Melvin Van Peebles
|
United States,
|
1957
|
|
|
Sunnyside
|
Charles Chaplin
|
United States,
|
1919
|
|
|
Sunset Boulevard
|
Billy Wilder
|
United States,
|
1950
|
|
|
Sylvie et le fantôme
|
Claude Autant-Lara
|
France,
|
1946
|
|
|
Take a Chance
|
Alfred J. Goulding
|
United States,
|
1918
|
|
|
The Tall Men
|
Raoul Walsh
|
United States,
|
1955
|
|
|
The Tattered Wings
|
Keisuke Kinoshita
|
Japan,
|
1955
|
|
|
Teeth Smile
|
Roman Polanski
|
Poland,
|
1957
|
|
|
Tender Game
|
John Hubley
|
United States,
|
1958
|
|
|
Testament of Orpheus
|
Jean Cocteau
|
France,
|
1959
|
|
|
That Hamilton Woman
|
Alexander Korda
|
United Kingdom,
|
1941
|
|
|
That's Him
|
Gilbert Pratt
|
United States,
|
1918
|
|
|
Them!
|
Gordon Douglas
|
United States,
|
1954
|
|
|
There Was a Father
|
Yasujiro Ozu
|
Japan,
|
1942
|
|
|
The Thick-Walled Room
|
Masaki Kobayashi
|
Japan,
|
1956
|
|
|
The Thief of Bagdad
|
Ludwig Berger, Michael Powell, and Tim Whelan
|
United Kingdom,
|
1940
|
|
|
Thirst
|
Ingmar Bergman
|
Sweden,
|
1949
|
|
|
This Happy Breed
|
David Lean
|
United Kingdom,
|
1944
|
|
|
Three Cases of Murder
|
David Eady, George More O'Ferrall, and Wendy Toye
|
United Kingdom,
|
1955
|
|
|
Three Pickup Men for Herrick
|
Melvin Van Peebles
|
United States,
|
1957
|
|
|
Throne of Blood
|
Akira Kurosawa
|
Japan,
|
1957
|
|
|
Thus Another Day
|
Keisuke Kinoshita
|
Japan,
|
1959
|
|
|
Tiger Bay
|
J. Lee Thompson
|
United Kingdom,
|
1959
|
|
|
Time Without Pity
|
Joseph Losey
|
United Kingdom,
|
1957
|
|
|
To Joy
|
Ingmar Bergman
|
Sweden,
|
1950
|
|
|
Tokaido Yotsuya kaidan
|
Nobuo Nakagawa
|
Japan,
|
1959
|
|
|
Tokyo Story
|
Yasujiro Ozu
|
Japan,
|
1953
|
|
|
Tokyo Twilight
|
Yasujiro Ozu
|
Japan,
|
1957
|
|
|
Torment
|
Alf Sjöberg
|
Sweden,
|
1944
|
|
|
Tormento
|
Raffaello Matarazzo
|
Italy,
|
1950
|
|
|
Torna!
|
Raffaello Matarazzo
|
Italy,
|
1954
|
|
|
The Trouble with Harry
|
Alfred Hitchcock
|
United States,
|
1955
|
|
|
Try and Get Me!
|
Cy Endfield
|
United States,
|
1950
|
|
|
Twenty-Four Eyes
|
Keisuke Kinoshita
|
Japan,
|
1954
|
|
|
Two Men and a Wardrobe
|
Roman Polanski
|
Poland,
|
1958
|
|
|
Ugetsu
|
Kenji Mizoguchi
|
Japan,
|
1953
|
|
|
Umberto D.
|
Vittorio De Sica
|
Italy,
|
1952
|
|
|
Uncle
|
Jaromil Jires
|
Czechoslovakia,
|
1959
|
|
|
Une histoire d’eau
|
François Truffaut and Jean-Luc Godard
|
France,
|
1958
|
|
|
Une parisienne
|
Michel Boisrond
|
France,
|
1957
|
|
|
The Unknown
|
Tod Browning
|
United States,
|
1927
|
|
|
The Upturned Glass
|
Lawrence Huntington
|
United Kingdom,
|
1947
|
|
|
Utamaro and His Five Women
|
Kenji Mizoguchi
|
Japan,
|
1946
|
|
|
The Vampire
|
Jean Painlevé
|
France,
|
1945
|
|
|
Varan the Unbelievable
|
Ishiro Honda
|
Japan,
|
1958
|
|
|
Variety Lights
|
Federico Fellini…
|
Italy,
|
1950
|
|
|
Vendetta of a Samurai
|
Kazuo Mori
|
Japan,
|
1952
|
|
|
Véronique and Her Dunce
|
Eric Rohmer
|
France,
|
1958
|
|
|
La villa Santo-Sospir
|
Jean Cocteau
|
France,
|
1951
|
|
|
Les visiteurs du soir
|
Marcel Carné
|
France,
|
1942
|
|
|
The Volunteer
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1943
|
|
|
The Wages of Fear
|
Henri-Georges Clouzot
|
France,
|
1953
|
|
|
Waiting Women
|
Ingmar Bergman
|
Sweden,
|
1952
|
|
|
Wedding Ring
|
Keisuke Kinoshita
|
Japan,
|
1950
|
|
|
Welcome Danger
|
Clyde Bruckman
|
United States,
|
1929
|
|
|
Welcome Mr. Marshall!
|
Luis García Berlanga
|
Spain,
|
1952
|
|
|
When Angels Fall
|
Roman Polanski
|
Poland,
|
1959
|
|
|
Where the Sidewalk Ends
|
Otto Preminger
|
United States,
|
1950
|
|
|
Whimsical Illusions
|
Georges Méliès
|
France,
|
1910
|
|
|
The White Angel
|
Raffaello Matarazzo
|
Italy,
|
1955
|
|
|
White Mane
|
Albert Lamorisse
|
France,
|
1953
|
|
|
Why Worry?
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1923
|
|
|
The Wicked Lady
|
Leslie Arliss
|
United Kingdom,
|
1945
|
|
|
Wife
|
Mikio Naruse
|
Japan,
|
1953
|
|
|
Wild Geese
|
Shirô Toyoda
|
Japan,
|
1953
|
|
|
Wild Strawberries
|
Ingmar Bergman
|
Sweden,
|
1957
|
|
|
Woman
|
Keisuke Kinoshita
|
Japan,
|
1948
|
|
|
The Woman in Question
|
Anthony Asquith
|
United Kingdom,
|
1950
|
|
|
A Woman of Paris
|
Charles Chaplin
|
United States,
|
1923
|
|
|
Women of the Night
|
Kenji Mizoguchi
|
Japan,
|
1948
|
|
|
Yotsuya Kaidan, Part I
|
Keisuke Kinoshita
|
Japan,
|
1949
|
|
|
Yotsuya kaidan, Part II
|
Keisuke Kinoshita
|
Japan,
|
1949
|
|
|
Young Mr. Jazz
|
Hal Roach
|
United States,
|
1919
|
|
|
You Were Like a Wild Chrysanthemum
|
Keisuke Kinoshita
|
Japan,
|
1955
|
