|
|
21 Days
|
Basil Dean
|
United Kingdom,
|
1940
|
|
|
24 Hours in the Life of a Clown
|
Jean-Pierre Melville
|
France,
|
1946
|
|
|
The 39 Steps
|
Alfred Hitchcock
|
United Kingdom,
|
1935
|
|
|
THE 47 RONIN: Part 1
|
Kenji Mizoguchi
|
Japan,
|
1941
|
|
|
THE 47 RONIN: Part 2
|
Kenji Mizoguchi
|
Japan,
|
1941
|
|
|
49th Parallel
|
Michael Powell
|
United Kingdom,
|
1941
|
|
|
The Adventures of Prince Achmed
|
Lotte Reiniger
|
Germany,
|
1926
|
|
|
Alexander Nevsky
|
Sergei Eisenstein
|
Soviet Union,
|
1938
|
|
|
All That Money Can Buy (a.k.a. The Devil and Daniel Webster)
|
William Dieterle
|
United States,
|
1941
|
|
|
L’amore
|
Roberto Rossellini
|
Italy,
|
1948
|
|
|
Anna Karenina
|
Julien Duvivier
|
United Kingdom,
|
1948
|
|
|
Anne-Marie
|
Raymond Bernard
|
France,
|
1936
|
|
|
Apart from You
|
Mikio Naruse
|
Japan,
|
1933
|
|
|
Apostasy
|
Keisuke Kinoshita
|
Japan,
|
1948
|
|
|
Army
|
Keisuke Kinoshita
|
Japan,
|
1944
|
|
|
Arrest Bulldog Drummond
|
James P. Hogan
|
United States,
|
1939
|
|
|
Ask Father
|
Hal Roach
|
United States,
|
1919
|
|
|
L’assassin habite au 21
|
Henri-Georges Clouzot
|
France,
|
1942
|
|
|
L’Atalante
|
Jean Vigo
|
France,
|
1934
|
|
|
The Baker’s Wife
|
Marcel Pagnol
|
France,
|
1938
|
|
|
Bashful
|
Alfred J. Goulding
|
United States,
|
1917
|
|
|
Battleship Potemkin
|
Sergei Eisenstein
|
Russia,
|
1925
|
|
|
Beauty and the Beast
|
Jean Cocteau
|
France,
|
1946
|
|
|
La bête humaine
|
Jean Renoir
|
France,
|
1938
|
|
|
Bezhin Meadow
|
Sergei Eisenstein
|
Soviet Union,
|
1937
|
|
|
Bicycle Thieves
|
Vittorio De Sica
|
Italy,
|
1948
|
|
|
The Big Idea
|
Gilbert Pratt and Hal Mohr
|
United States,
|
1917
|
|
|
Billy Blazes, Esq.
|
Hal Roach
|
United States,
|
1919
|
|
|
Bitter Rice
|
Giuseppe De Santis
|
Italy,
|
1949
|
|
|
Blackmail
|
Alfred Hitchcock
|
United Kingdom,
|
1929
|
|
|
Black Narcissus
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1947
|
|
|
Blanche Fury
|
Marc Allégret
|
United Kingdom,
|
1948
|
|
|
Blithe Spirit
|
David Lean
|
United Kingdom,
|
1945
|
|
|
The Blood of a Poet
|
Jean Cocteau
|
France,
|
1930
|
|
|
Blood of the Beasts
|
Georges Franju
|
France,
|
1949
|
|
|
Bluebeard
|
Jean Painlevé
|
France,
|
1938
|
|
|
Boudu Saved from Drowning
|
Jean Renoir
|
France,
|
1932
|
|
|
Brief Encounter
|
David Lean
|
United Kingdom,
|
1945
|
|
|
Broken Drum
|
Keisuke Kinoshita
|
Japan,
|
1949
|
|
|
Brothers and Sisters of the Toda Family
|
Yasujiro Ozu
|
Japan,
|
1941
|
|
|
Brute Force
|
Jules Dassin
|
United States,
|
1947
|
|
|
Bulldog Drummond at Bay
|
Norman Lee
|
United States,
|
1937
|
|
|
Bulldog Drummond Comes Back
|
Louis King
|
United States,
|
1937
|
|
|
Bulldog Drummond Escapes
|
James P. Hogan
|
United States,
|
1937
|
|
|
Bulldog Drummond in Africa
|
Louis King
|
United States,
|
1938
|
|
|
Bulldog Drummond’s Bride
|
James P. Hogan
|
United States,
|
1939
|
|
|
Bulldog Drummond’s Peril
|
James P. Hogan
|
United States,
|
1938
|
|
|
Bulldog Drummond’s Revenge
|
Louis King
|
United States,
|
1937
|
|
|
Bulldog Drummond’s Secret Police
|
James P. Hogan
|
United States,
|
1939
|
|
|
Bumping into Broadway
|
Hal Roach
|
United States,
|
1919
|
|
|
Burden of Life
|
Heinosuke Gosho
|
Japan,
|
1935
|
|
|
By the Sad Sea Waves
|
Alfred J. Goulding
|
United States,
|
1917
|
|
|
Caesar and Cleopatra
|
Gabriel Pascal
|
United Kingdom,
|
1945
|
|
|
A Canterbury Tale
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1944
|
|
|
Captain Kidd’s Kids
|
Hal Roach
|
United States,
|
1919
|
|
|
Carnival in Flanders
|
Jacques Feyder
|
France,
|
1935
|
|
|
The Cat’s Paw
|
Sam Taylor
|
United States,
|
1934
|
|
|
César
|
Marcel Pagnol
|
France,
|
1936
|
|
|
Chains
|
Raffaello Matarazzo
|
Italy,
|
1949
|
|
|
The Challenge
|
Milton Rosmer, Luis Trenker, and Vincent Korda
|
United Kingdom,
|
1938
|
|
|
La chienne
|
Jean Renoir
|
France,
|
1931
|
|
|
The Children Are Watching Us
|
Vittorio De Sica
|
Italy,
|
1944
|
|
|
Children of Paradise
|
Marcel Carné
|
France,
|
1945
|
|
|
A Christmas Dream
|
Karel Zeman
|
Czechoslovakia,
|
1945
|
|
|
Le ciel est à vous
|
Jean Grémillon
|
France,
|
1944
|
|
|
The Circus
|
Charles Chaplin
|
United States,
|
1928
|
|
|
City Lights
|
Charles Chaplin
|
United States,
|
1931
|
|
|
Conquest of the Air
|
Alexander Esway, Zoltán Korda, John Monk Saunders, Alexander Shaw, and Donald Taylor
|
United Kingdom,
|
1936
|
|
|
Le Corbeau
|
Henri-Georges Clouzot
|
France,
|
1943
|
|
|
The Count of the Old Town
|
Edvin Adolphson and Sigurd Wallén
|
Sweden,
|
1935
|
|
|
Crisis
|
Ingmar Bergman
|
Sweden,
|
1946
|
|
|
Les dames du Bois de Boulogne
|
Robert Bresson
|
France,
|
1945
|
|
|
Daphnia
|
Jean Painlevé
|
France,
|
1928
|
|
|
The Daughter of Dawn
|
Norbert A. Myles
|
United States,
|
1920
|
|
|
David Golder
|
Julien Duvivier
|
France,
|
1930
|
|
|
A Day in the Country
|
Jean Renoir
|
France,
|
1936
|
|
|
Day of Wrath
|
Carl Th. Dreyer
|
Denmark,
|
1943
|
|
|
A Day’s Pleasure
|
Charles Chaplin
|
United States,
|
1919
|
|
|
Désiré
|
Sacha Guitry
|
France,
|
1937
|
|
|
Detour
|
Edgar G. Ulmer
|
United States,
|
1945
|
|
|
The Divorce of Lady X
|
Tim Whelan
|
United Kingdom,
|
1938
|
|
|
A Dog’s Life
|
Charles Chaplin
|
United States,
|
1918
|
|
|
Dollar
|
Gustaf Molander
|
Sweden,
|
1938
|
|
|
Dos monjes
|
Juan Bustillo Oro
|
Mexico,
|
1934
|
|
|
Douce
|
Claude Autant-Lara
|
France,
|
1943
|
|
|
Downhill
|
Alfred Hitchcock
|
United Kingdom,
|
1927
|
|
|
Dragnet Girl
|
Yasujiro Ozu
|
Japan,
|
1933
|
|
|
Dr. Dolittle: A Trip to Africa
|
Lotte Reiniger
|
Germany,
|
1923
|
|
|
DR. DOLITTLE: LION’S DEN: English Version
|
Lotte Reiniger
|
Germany,
|
1923
|
|
|
DR. DOLITTLE: LION’S DEN: German Version
|
Lotte Reiniger
|
Germany,
|
1923
|
|
|
Dr. Jack
|
Fred C. Newmeyer
|
United States,
|
1922
|
|
|
The Drum
|
Zoltán Korda
|
United Kingdom,
|
1938
|
|
|
Drunken Angel
|
Akira Kurosawa
|
Japan,
|
1948
|
|
|
The Dumb Girl of Portici
|
Lois Weber and Phillips Smalley
|
United States,
|
1916
|
|
|
An Eastern Westerner
|
Hal Roach
|
United States,
|
1920
|
|
|
Elephant Boy
|
Robert Flaherty and Zoltán Korda
|
United Kingdom,
|
1937
|
|
|
The Emperor Jones
|
Dudley Murphy
|
United States,
|
1933
|
|
|
Entr'acte
|
René Clair
|
France,
|
1924
|
|
|
The Eternal Return
|
Jean Delannoy
|
France,
|
1943
|
|
|
Eva
|
Gustaf Molander
|
Sweden,
|
1948
|
|
|
Evergreen
|
Victor Saville
|
United Kingdom,
|
1934
|
|
|
Every-Night Dreams
|
Mikio Naruse
|
Japan,
|
1933
|
|
|
Experimental Treatment of a Hemorrhage in a Dog
|
Jean Painlevé
|
France,
|
1930
|
|
|
Fanny
|
Marc Allégret
|
France,
|
1932
|
|
|
Feet First
|
Clyde Bruckman
|
United States,
|
1930
|
|
|
The First of the Few
|
Leslie Howard
|
United Kingdom,
|
1942
|
|
|
Flunky, Work Hard
|
Mikio Naruse
|
Japan,
|
1931
|
|
|
The Flying Coffer
|
Lotte Reiniger
|
Germany,
|
1922
|
|
|
Forget Me Not
|
Zoltán Korda
|
United Kingdom,
|
1936
|
|
|
For Heaven’s Sake
|
Sam Taylor
|
United States,
|
1926
|
|
|
The Four Feathers
|
Zoltán Korda
|
United Kingdom,
|
1939
|
|
|
The Fourth Dimension
|
Jean Painlevé
|
France,
|
1936
|
|
|
The Freshman
|
Sam Taylor and Fred Newmeyer
|
United States,
|
1925
|
|
|
Freshwater Assassins
|
Jean Painlevé
|
France,
|
1947
|
|
|
The Front Page
|
Lewis Milestone
|
United States,
|
1931
|
|
|
Gai dimanche
|
Jacques Tati and Jacques Berr
|
France,
|
1934
|
|
|
A Gasoline Wedding
|
Alfred J. Goulding
|
United States,
|
1918
|
|
|
Gente del Po
|
Michelangelo Antonioni
|
Italy,
|
1947
|
|
|
Germany Year Zero
|
Roberto Rossellini
|
Germany,
|
1948
|
|
|
Get Out and Get Under
|
Hal Roach
|
United States,
|
1920
|
|
|
The Ghost Goes West
|
René Clair
|
United Kingdom,
|
1935
|
|
|
The Girl I Loved
|
Keisuke Kinoshita
|
Japan,
|
1946
|
|
|
Girl Shy
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1924
|
|
|
The Gold Rush
|
Charles Chaplin
|
United States,
|
1942
|
|
|
THE GOLD RUSH: 1925 Version
|
Charles Chaplin
|
United States,
|
1925
|
|
|
Grandma's Boy
|
Fred C. Newmeyer
|
United States,
|
1922
|
|
|
Grass: A Nation’s Battle for Life
|
Merian C. Cooper and Ernest B. Schoedsack
|
United States,
|
1925
|
|
|
The Great Dictator
|
Charles Chaplin
|
United States,
|
1940
|
|
|
Great Expectations
|
David Lean
|
United Kingdom,
|
1946
|
|
|
Green for Danger
|
Sidney Gilliat
|
United Kingdom,
|
1946
|
|
|
Hamlet
|
Laurence Olivier
|
United Kingdom,
|
1948
|
|
|
Haunted Spooks
|
Hal Roach and Alfred J. Goulding
|
United States,
|
1920
|
|
|
Häxan
|
Benjamin Christensen
|
Denmark,
|
1922
|
|
|
A Hen in the Wind
|
Yasujiro Ozu
|
Japan,
|
1948
|
|
|
Henry V
|
Laurence Olivier
|
United Kingdom,
|
1944
|
|
|
Here’s to the Young Lady
|
Keisuke Kinoshita
|
Japan,
|
1949
|
|
|
High and Dizzy
|
Hal Roach
|
United States,
|
1920
|
|
|
His Royal Slyness
|
Hal Roach
|
United States,
|
1920
|
|
|
A Horseshoe for Luck
|
Karel Zeman
|
Czechoslovakia,
|
1946
|
|
|
Hôtel du Nord
|
Marcel Carné
|
France,
|
1938
|
|
|
Humanity and Paper Balloons
|
Sadao Yamanaka
|
Japan,
|
1937
|
|
|
Hyas and Stenorhynchus
|
Jean Painlevé
|
France,
|
1927
|
|
|
An Ideal Husband
|
Alexander Korda
|
United Kingdom,
|
1947
|
|
|
The Idle Class
|
Charles Chaplin
|
United States,
|
1921
|
|
|
I Flunked, But...
|
Yasujiro Ozu
|
Japan,
|
1930
|
|
|
I Graduated, But...
|
Yasujiro Ozu
|
Japan,
|
1929
|
|
|
I Know Where I’m Going!
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1945
|
|
|
The Immigrant
|
Charles Chaplin
|
United States,
|
1917
|
|
|
An Inn in Tokyo
|
Yasujiro Ozu
|
Japan,
|
1935
|
|
|
Inspiration
|
Karel Zeman
|
Czechoslovakia,
|
1949
|
|
|
Intermezzo
|
Gustaf Molander
|
Sweden,
|
1936
|
|
|
In Which We Serve
|
David Lean…
|
United Kingdom,
|
1942
|
|
|
I See a Dark Stranger
|
Frank Launder
|
United Kingdom,
|
1946
|
|
|
Ivan the Terrible, Part I
|
Sergei Eisenstein
|
Soviet Union,
|
1944
|
|
|
I Was Born, But . . .
|
Yasujiro Ozu
|
Japan,
|
1932
|
|
|
Japanese Girls at the Harbor
|
Hiroshi Shimizu
|
Japan,
|
1933
|
|
|
Jour de fête
|
Jacques Tati
|
France,
|
1949
|
|
|
Jubilation Street
|
Keisuke Kinoshita
|
Japan,
|
1944
|
|
|
June Night
|
Per Lindberg
|
Sweden,
|
1940
|
|
|
Jungle Book
|
Zoltán Korda
|
United Kingdom,
|
1942
|
|
|
Just Neighbors
|
Harold Lloyd and Frank Terry
|
United States,
|
1919
|
|
|
Kameradschaft
|
G. W. Pabst
|
Germany,
|
1931
|
|
|
The Kid
|
Charles Chaplin
|
United States,
|
1921
|
|
|
The Kid Brother
|
Ted Wilde
|
United States,
|
1927
|
|
|
The King of Kings
|
Cecil B. DeMille
|
United States,
|
1927
|
|
|
King Solomon’s Mines
|
Robert Stevenson
|
United States,
|
1937
|
|
|
Knight Without Armour
|
Jacques Feyder
|
United Kingdom,
|
1937
|
|
|
The Lady and the Beard
|
Yasujiro Ozu
|
Japan,
|
1931
|
|
|
The Lady Vanishes
|
Alfred Hitchcock
|
United Kingdom,
|
1938
|
|
|
LA ROUE: Part 1
|
Abel Gance
|
France,
|
1923
|
|
|
LA ROUE: Part 2
|
Abel Gance
|
France,
|
1923
|
|
|
LA ROUE: Part 3
|
Abel Gance
|
France,
|
1923
|
|
|
LA ROUE: Part 4
|
Abel Gance
|
France,
|
1923
|
|
|
Late Spring
|
Yasujiro Ozu
|
Japan,
|
1949
|
|
|
Let There Be Light
|
John Huston
|
United States,
|
1946
|
|
|
Lettres d’amour
|
Claude Autant-Lara
|
France,
|
1942
|
|
|
The Life and Death of Colonel Blimp
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1943
|
|
|
Limite
|
Mário Peixoto
|
Brazil,
|
1931
|
|
|
The Lion Has Wings
|
Adrian Brunel, Brian Desmond Hurst, and Michael Powell
|
United Kingdom,
|
1939
|
|
|
The Living Magoroku
|
Keisuke Kinoshita
|
Japan,
|
1943
|
|
|
The Lodger: A Story of the London Fog
|
Alfred Hitchcock
|
United Kingdom,
|
1927
|
|
|
Lonesome Luke, Messenger
|
Hal Roach
|
United States,
|
1917
|
|
|
Looking for Sally
|
Leo McCarey
|
United States,
|
1925
|
|
|
Look Pleasant, Please
|
Alfred J. Goulding
|
United States,
|
1918
|
|
|
Love Affair
|
Leo McCarey
|
United States,
|
1939
|
|
|
The Lower Depths
|
Jean Renoir
|
France,
|
1936
|
|
|
Lumière d’été
|
Jean Grémillon
|
France,
|
1943
|
|
|
Lydia
|
Julien Duvivier
|
United Kingdom,
|
1941
|
|
|
M
|
Fritz Lang
|
Germany,
|
1931
|
|
|
Madonna of the Seven Moons
|
Arthur Crabtree
|
United Kingdom,
|
1945
|
|
|
La main du diable
|
Maurice Tourneur
|
France,
|
1943
|
|
|
Major Barbara
|
Gabriel Pascal
|
United Kingdom,
|
1941
|
|
|
The Man in Grey
|
Leslie Arliss
|
United Kingdom,
|
1943
|
|
|
Man of Aran
|
Robert J. Flaherty
|
United Kingdom,
|
1934
|
|
|
A Man There Was
|
Victor Sjöström
|
Sweden,
|
1917
|
|
|
The Man Who Could Work Miracles
|
Lothar Mendes and Alexander Korda
|
United Kingdom,
|
1936
|
|
|
The Man Who Knew Too Much
|
Alfred Hitchcock
|
United Kingdom,
|
1934
|
|
|
The Marathon
|
Alfred J. Goulding
|
Netherlands,
|
1919
|
|
|
Le mariage de Chiffon
|
Claude Autant-Lara
|
France,
|
1942
|
|
|
Marius
|
Alexander Korda
|
France,
|
1931
|
|
|
Marseille
|
Jean Margueritte and Jean Monti
|
France,
|
1935
|
|
|
The Masseurs and a Woman
|
Hiroshi Shimizu
|
Japan,
|
1938
|
|
|
Master of the House
|
Carl Th. Dreyer
|
Denmark,
|
1925
|
|
|
Men Are Not Gods
|
Walter Reisch
|
United Kingdom,
|
1936
|
|
|
The Men Who Tread on the Tiger’s Tail
|
Akira Kurosawa
|
Japan,
|
1945
|
|
|
Mighty Like a Moose
|
Leo McCarey
|
United States,
|
1926
|
|
|
The Mikado
|
Victor Schertzinger
|
United Kingdom,
|
1939
|
|
|
The Milky Way
|
Leo McCarey
|
United States,
|
1936
|
|
|
Le million
|
René Clair
|
France,
|
1931
|
|
|
Les Misérables - Part One: Tempest in a Skull
|
Raymond Bernard
|
France,
|
1934
|
|
|
Les Misérables - Part Two: The Thénardiers
|
Raymond Bernard
|
France,
|
1934
|
|
|
Les Misérables - Part Three: Freedom, Dear Freedom
|
Raymond Bernard
|
France,
|
1934
|
|
|
Modern Times
|
Charles Chaplin
|
United States,
|
1936
|
|
|
Monsieur Verdoux
|
Charles Chaplin
|
United States,
|
1947
|
|
|
Morning for the Osone Family
|
Keisuke Kinoshita
|
Japan,
|
1946
|
|
|
The Most Beautiful
|
Akira Kurosawa
|
Japan,
|
1944
|
|
|
The Most Dangerous Game
|
Ernest B. Schoedsack…
|
United States,
|
1932
|
|
|
A Mother Should Be Loved
|
Yasujiro Ozu
|
Japan,
|
1934
|
|
|
Movie Crazy
|
Clyde Bruckman
|
United States,
|
1932
|
|
|
Mr. Thank You
|
Hiroshi Shimizu
|
Japan,
|
1936
|
|
|
Murder!
|
Alfred Hitchcock
|
United Kingdom,
|
1930
|
|
|
The Naked City
|
Jules Dassin
|
United States,
|
1948
|
|
|
The Neighbor's Wife and Mine
|
Heinosuke Gosho
|
Japan,
|
1931
|
|
|
Never Weaken
|
Fred C. Newmeyer and Sam Taylor
|
United States,
|
1921
|
|
|
Next Aisle Over
|
Hal Roach
|
United States,
|
1919
|
|
|
Nice and Friendly
|
Charles Chaplin
|
United States,
|
1922
|
|
|
A Night in the Show
|
Charles Chaplin
|
United States,
|
1915
|
|
|
No Blood Relation
|
Mikio Naruse
|
Japan,
|
1932
|
|
|
No Regrets for Our Youth
|
Akira Kurosawa
|
Japan,
|
1946
|
|
|
À nous la liberté
|
René Clair
|
France,
|
1931
|
|
|
N.U.
|
Michelangelo Antonioni
|
Italy,
|
1948
|
|
|
Number, Please?
|
Hal Roach and Fred Newmeyer
|
United States,
|
1920
|
|
|
The Octopus
|
Jean Painlevé
|
France,
|
1927
|
|
|
Odd Man Out
|
Carol Reed
|
United Kingdom,
|
1947
|
|
|
Of Mice and Men
|
Lewis Milestone
|
United States,
|
1939
|
|
|
The Old and the New
|
Sergei Eisenstein and Grigori Aleksandrov
|
Soviet Union,
|
1929
|
|
|
Oliver Twist
|
David Lean
|
United Kingdom,
|
1948
|
|
|
On demande une brute
|
Charles Barrois
|
France,
|
1934
|
|
|
One Wonderful Sunday
|
Akira Kurosawa
|
Japan,
|
1947
|
|
|
Only One Night
|
Gustaf Molander
|
Sweden,
|
1939
|
|
|
The Only Son
|
Yasujiro Ozu
|
Japan,
|
1936
|
|
|
On purge bébé
|
Jean Renoir
|
France,
|
1931
|
|
|
Ornamental Hairpin
|
Hiroshi Shimizu
|
Japan,
|
1941
|
|
|
Osaka Elegy
|
Kenji Mizoguchi
|
Japan,
|
1936
|
|
|
The Outlaw and His Wife
|
Victor Sjöström
|
Sweden,
|
1918
|
|
|
Over the Fence
|
J. Farrell MacDonald and Harold Lloyd
|
United States,
|
1917
|
|
|
Over the Moon
|
Thornton Freeland and William K. Howard
|
United Kingdom,
|
1939
|
|
|
Paisan
|
Roberto Rossellini
|
Italy,
|
1946
|
|
|
Pandora’s Box
|
G. W. Pabst
|
Germany,
|
1929
|
|
|
Panique
|
Julien Duvivier
|
France,
|
1946
|
|
|
Passing Fancy
|
Yasujiro Ozu
|
Japan,
|
1933
|
|
|
The Passionate Friends
|
David Lean
|
United States,
|
1949
|
|
|
The Passion of Joan of Arc
|
Carl Th. Dreyer
|
France,
|
1928
|
|
|
Pay Day
|
Charles Chaplin
|
United States,
|
1922
|
|
|
The Pearls of the Crown
|
Sacha Guitry
|
France,
|
1937
|
|
|
People on Sunday
|
Robert Siodmak and Edgar G. Ulmer
|
Germany,
|
1930
|
|
|
Pépé le moko
|
Julien Duvivier
|
France,
|
1937
|
|
|
The Phantom Carriage
|
Victor Sjöström
|
Sweden,
|
1921
|
|
|
The Phantom of the Monastery
|
Fernando de Fuentes
|
Mexico,
|
1934
|
|
|
Phoenix
|
Keisuke Kinoshita
|
Japan,
|
1947
|
|
|
Piccadilly
|
E. A. Dupont
|
United Kingdom,
|
1929
|
|
|
The Pilgrim
|
Charles Chaplin
|
United States,
|
1923
|
|
|
The Plough and the Stars
|
John Ford
|
United States,
|
1936
|
|
|
Poil de carotte
|
Julien Duvivier
|
France,
|
1932
|
|
|
Les portes de la nuit
|
Marcel Carné
|
France,
|
1946
|
|
|
Port of Call
|
Ingmar Bergman
|
Sweden,
|
1948
|
|
|
The Portrait
|
Keisuke Kinoshita
|
Japan,
|
1948
|
|
|
The Private Life of Don Juan
|
Alexander Korda
|
United Kingdom,
|
1934
|
|
|
The Private Life of Henry VIII
|
Alexander Korda
|
United Kingdom,
|
1933
|
|
|
À propos de Nice
|
Jean Vigo and Boris Kaufman
|
France,
|
1930
|
|
|
Pygmalion
|
Anthony Asquith and Leslie Howard
|
United Kingdom,
|
1938
|
|
|
Q Planes
|
Tim Whelan and Arthur B. Woods
|
United Kingdom,
|
1939
|
|
|
Quadrille
|
Sacha Guitry
|
France,
|
1938
|
|
|
Record of a Tenement Gentleman
|
Yasujiro Ozu
|
Japan,
|
1947
|
|
|
Redes
|
Emilio Gómez Muriel…
|
Mexico,
|
1936
|
|
|
The Red Shoes
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1948
|
|
|
Rembrandt
|
Alexander Korda
|
United Kingdom,
|
1936
|
|
|
Remorques
|
Jean Grémillon
|
France,
|
1941
|
|
|
Repeat Performance
|
Alfred L. Werker
|
United States,
|
1947
|
|
|
The Return of Bulldog Drummond
|
Walter Summers
|
United States,
|
1934
|
|
|
The Return of the Scarlet Pimpernel
|
Hanns Schwarz
|
United Kingdom,
|
1937
|
|
|
Rich and Strange
|
Alfred Hitchcock
|
United Kingdom,
|
1931
|
|
|
The Rink
|
Charles Chaplin
|
United States,
|
1916
|
|
|
The Rise of Catherine the Great
|
Paul Czinner
|
United Kingdom,
|
1934
|
|
|
The Rocking Horse Winner
|
Anthony Pelissier
|
United Kingdom,
|
1949
|
|
|
Rome Open City
|
Roberto Rossellini
|
Italy,
|
1945
|
|
|
The Rules of the Game
|
Jean Renoir
|
France,
|
1939
|
|
|
Sabotage
|
Alfred Hitchcock
|
United States,
|
1936
|
|
|
Safety Last!
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1923
|
|
|
The Saga of Gösta Berling
|
Mauritz Stiller
|
United States,
|
1924
|
|
|
A Sailor-Made Man
|
Fred C. Newmeyer
|
United States,
|
1921
|
|
|
A Sammy in Siberia
|
Hal Roach
|
United States,
|
1919
|
|
|
Sanders of the River
|
Zoltán Korda
|
United Kingdom,
|
1935
|
|
|
Sanshiro Sugata
|
Akira Kurosawa
|
Japan,
|
1943
|
|
|
Sanshiro Sugata, Part Two
|
Akira Kurosawa
|
Japan,
|
1945
|
|
|
The Scarlet Pimpernel
|
Harold Young
|
United Kingdom,
|
1934
|
|
|
School for Postmen
|
Jacques Tati
|
France,
|
1947
|
|
|
The Sea Horse
|
Jean Painlevé
|
France,
|
1933
|
|
|
Sea Urchins
|
Jean Painlevé
|
France,
|
1928
|
|
|
The Secret of the Marquise
|
Lotte Reiniger
|
Germany,
|
1922
|
|
|
The Seventh Veil
|
Compton Bennett
|
United Kingdom,
|
1945
|
|
|
A Ship to India
|
Ingmar Bergman
|
Sweden,
|
1947
|
|
|
Shoes
|
Lois Weber
|
United States,
|
1916
|
|
|
Shoulder Arms
|
Charles Chaplin
|
United States,
|
1918
|
|
|
Le silence de la mer
|
Jean-Pierre Melville
|
France,
|
1949
|
|
|
Similarities Between Length and Speed
|
Jean Painlevé
|
France,
|
1937
|
|
|
Sisters of the Gion
|
Kenji Mizoguchi
|
Japan,
|
1936
|
|
|
The Small Back Room
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1949
|
|
|
Snow Trail
|
Senkichi Taniguchi
|
Japan,
|
1947
|
|
|
Speedy
|
Ted Wilde
|
United States,
|
1928
|
|
|
Spring Fever
|
Hal Roach
|
United States,
|
1919
|
|
|
The Spy in Black
|
Michael Powell
|
United Kingdom,
|
1939
|
|
|
The Squeaker
|
William K. Howard
|
United Kingdom,
|
1937
|
|
|
Stagecoach
|
John Ford
|
United States,
|
1939
|
|
|
The Stickleback's Egg
|
Jean Painlevé
|
France,
|
1925
|
|
|
The Story of a Cheat
|
Sacha Guitry
|
France,
|
1936
|
|
|
A Story of Floating Weeds
|
Yasujiro Ozu
|
Japan,
|
1934
|
|
|
The Story of the Last Chrysanthemum
|
Kenji Mizoguchi
|
Japan,
|
1939
|
|
|
A Straightforward Boy
|
Yasujiro Ozu
|
Japan,
|
1929
|
|
|
Strange Victory
|
Leo Hurwitz
|
United States,
|
1948
|
|
|
Stray Dog
|
Akira Kurosawa
|
Japan,
|
1949
|
|
|
Street Without End
|
Mikio Naruse
|
Japan,
|
1934
|
|
|
Strike
|
Sergei Eisenstein
|
Soviet Union,
|
1925
|
|
|
The Struggle for Survival
|
Jean Painlevé
|
France,
|
1937
|
|
|
Sunnyside
|
Charles Chaplin
|
United States,
|
1919
|
|
|
Swedenhielms
|
Gustaf Molander
|
Sweden,
|
1935
|
|
|
Sylvie et le fantôme
|
Claude Autant-Lara
|
France,
|
1946
|
|
|
Take a Chance
|
Alfred J. Goulding
|
United States,
|
1918
|
|
|
Taris
|
Jean Vigo
|
France,
|
1931
|
|
|
The Testament of Dr. Mabuse
|
Fritz Lang
|
Germany,
|
1933
|
|
|
La tête d’un homme
|
Julien Duvivier
|
France,
|
1933
|
|
|
That Hamilton Woman
|
Alexander Korda
|
United Kingdom,
|
1941
|
|
|
That Night’s Wife
|
Yasujiro Ozu
|
Japan,
|
1930
|
|
|
That's Him
|
Gilbert Pratt
|
United States,
|
1918
|
|
|
There Was a Father
|
Yasujiro Ozu
|
Japan,
|
1942
|
|
|
The Thief of Bagdad
|
Ludwig Berger, Michael Powell, and Tim Whelan
|
United Kingdom,
|
1940
|
|
|
Things to Come
|
William Cameron Menzies
|
United Kingdom,
|
1936
|
|
|
Thirst
|
Ingmar Bergman
|
Sweden,
|
1949
|
|
|
This Happy Breed
|
David Lean
|
United Kingdom,
|
1944
|
|
|
The Threepenny Opera
|
G. W. Pabst
|
Germany,
|
1931
|
|
|
Tokyo Chorus
|
Yasujiro Ozu
|
Japan,
|
1931
|
|
|
Toni
|
Jean Renoir
|
France,
|
1935
|
|
|
Torment
|
Alf Sjöberg
|
Sweden,
|
1944
|
|
|
Un carnet de bal
|
Julien Duvivier
|
France,
|
1937
|
|
|
Under the Roofs of Paris
|
René Clair
|
France,
|
1930
|
|
|
The Unknown
|
Tod Browning
|
United States,
|
1927
|
|
|
The Upturned Glass
|
Lawrence Huntington
|
United Kingdom,
|
1947
|
|
|
Utamaro and His Five Women
|
Kenji Mizoguchi
|
Japan,
|
1946
|
|
|
The Vampire
|
Jean Painlevé
|
France,
|
1945
|
|
|
Vampyr
|
Carl Th. Dreyer
|
Denmark,
|
1932
|
|
|
Les visiteurs du soir
|
Marcel Carné
|
France,
|
1942
|
|
|
The Volunteer
|
Michael Powell and Emeric Pressburger
|
United Kingdom,
|
1943
|
|
|
Voyage to the Sky
|
Jean Painlevé
|
France,
|
1937
|
|
|
Walk Cheerfully
|
Yasujiro Ozu
|
Japan,
|
1930
|
|
|
Walpurgis Night
|
Gustaf Edgren
|
Sweden,
|
1935
|
|
|
Watch Your Left
|
René Clément
|
France,
|
1936
|
|
|
Wedding Rehearsal
|
Alexander Korda
|
United Kingdom,
|
1932
|
|
|
Welcome Danger
|
Clyde Bruckman
|
United States,
|
1929
|
|
|
Westfront 1918
|
G. W. Pabst
|
Germany,
|
1930
|
|
|
What Did the Lady Forget?
|
Yasujiro Ozu
|
Japan,
|
1937
|
|
|
Where Now Are the Dreams of Youth?
|
Yasujiro Ozu
|
Japan,
|
1932
|
|
|
Whimsical Illusions
|
Georges Méliès
|
France,
|
1910
|
|
|
Why Worry?
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1923
|
|
|
The Wicked Lady
|
Leslie Arliss
|
United Kingdom,
|
1945
|
|
|
Woman
|
Keisuke Kinoshita
|
Japan,
|
1948
|
|
|
A Woman of Paris
|
Charles Chaplin
|
United States,
|
1923
|
|
|
Woman of Tokyo
|
Yasujiro Ozu
|
Japan,
|
1933
|
|
|
A Woman’s Face
|
Gustaf Molander
|
Sweden,
|
1938
|
|
|
Women of the Night
|
Kenji Mizoguchi
|
Japan,
|
1948
|
|
|
Wooden Crosses
|
Raymond Bernard
|
France,
|
1932
|
|
|
Yotsuya Kaidan, Part I
|
Keisuke Kinoshita
|
Japan,
|
1949
|
|
|
Yotsuya kaidan, Part II
|
Keisuke Kinoshita
|
Japan,
|
1949
|
|
|
Young and Innocent
|
Alfred Hitchcock
|
United States,
|
1937
|
|
|
Young Mr. Jazz
|
Hal Roach
|
United States,
|
1919
|
|
|
Zéro de conduite
|
Jean Vigo
|
France,
|
1933
|
