|
|
2 or 3 Things I Know About Her
|
Jean-Luc Godard
|
France,
|
1967
|
|
|
8½
|
Federico Fellini
|
Italy,
|
1963
|
|
|
Les abysses
|
Nico Papatakis
|
France,
|
1963
|
|
|
Accattone
|
Pier Paolo Pasolini
|
Italy,
|
1961
|
|
|
An Actor’s Revenge
|
Kon Ichikawa
|
Japan,
|
1963
|
|
|
Ådalen 31
|
Bo Widerberg
|
Sweden,
|
1969
|
|
|
Adventures of a Dentist
|
Elem Klimov
|
Soviet Union,
|
1965
|
|
|
The Adventures of Prince Achmed
|
Lotte Reiniger
|
Germany,
|
1926
|
|
|
Adventures of Zatoichi
|
Kimiyoshi Yasuda
|
Japan,
|
1964
|
|
|
Adventures on the New Frontier
|
Robert Drew
|
United States,
|
1961
|
|
|
All Monsters Attack
|
Ishiro Honda
|
Japan,
|
1969
|
|
|
All My Good Countrymen
|
Vojtech Jasný
|
Czechoslovakia,
|
1969
|
|
|
All Night Long
|
Basil Dearden
|
United Kingdom,
|
1962
|
|
|
All These Women
|
Ingmar Bergman
|
Sweden,
|
1964
|
|
|
The Alphabet
|
David Lynch
|
United States,
|
1968
|
|
|
L'amour existe
|
Maurice Pialat
|
France,
|
1960
|
|
|
L’amour fou
|
Jacques Rivette
|
France,
|
1969
|
|
|
Andrei Rublev
|
Andrei Tarkovsky
|
Soviet Union,
|
1966
|
|
|
Antoine and Colette
|
François Truffaut
|
France,
|
1962
|
|
|
Any Number Can Win
|
Henri Verneuil
|
France,
|
1962
|
|
|
Ask Father
|
Hal Roach
|
United States,
|
1919
|
|
|
As Long as You’ve Got Your Health
|
Pierre Etaix
|
France,
|
1966
|
|
|
Assassin
|
Masahiro Shinoda
|
Japan,
|
1964
|
|
|
Atragon
|
Ishiro Honda
|
Japan,
|
1963
|
|
|
Au hasard Balthazar
|
Robert Bresson
|
France,
|
1966
|
|
|
An Autumn Afternoon
|
Yasujiro Ozu
|
Japan,
|
1962
|
|
|
L’avventura
|
Michelangelo Antonioni
|
Italy,
|
1960
|
|
|
Babo 73
|
Robert Downey Sr.
|
United States,
|
1964
|
|
|
The Baby Carriage
|
Bo Widerberg
|
Sweden,
|
1963
|
|
|
The Bad Sleep Well
|
Akira Kurosawa
|
Japan,
|
1960
|
|
|
A Bagful of Fleas
|
Věra Chytilová
|
Czechoslovakia,
|
1962
|
|
|
The Bakery Girl of Monceau
|
Eric Rohmer
|
France,
|
1963
|
|
|
Baldwin’s Nigger
|
Horace Ové
|
United Kingdom,
|
1968
|
|
|
Ballad of a Workman
|
Keisuke Kinoshita
|
Japan,
|
1962
|
|
|
Bashful
|
Alfred J. Goulding
|
United States,
|
1917
|
|
|
The Battle of Algiers
|
Gillo Pontecorvo
|
Italy,
|
1966
|
|
|
Battleship Potemkin
|
Sergei Eisenstein
|
Russia,
|
1925
|
|
|
Bay of Angels
|
Jacques Demy
|
France,
|
1963
|
|
|
Being Two Isn’t Easy
|
Kon Ichikawa
|
Japan,
|
1962
|
|
|
Il bell’Antonio
|
Mauro Bolognini
|
Italy,
|
1960
|
|
|
Belle de jour
|
Luis Buñuel
|
France,
|
1967
|
|
|
Beyond the Law
|
Norman Mailer
|
United States,
|
1968
|
|
|
The Big City
|
Satyajit Ray
|
India,
|
1963
|
|
|
The Big Idea
|
Gilbert Pratt and Hal Mohr
|
United States,
|
1917
|
|
|
The Big Shave
|
Martin Scorsese
|
United States,
|
1967
|
|
|
Billy Blazes, Esq.
|
Hal Roach
|
United States,
|
1919
|
|
|
Black Girl
|
Ousmane Sembène
|
Senegal,
|
1966
|
|
|
Black God, White Devil
|
Glauber Rocha
|
Brazil,
|
1964
|
|
|
Black Lizard
|
Umetsugu Inoue
|
Japan,
|
1962
|
|
|
Black Peter
|
Miloš Forman
|
Czechoslovakia,
|
1964
|
|
|
Black Sun
|
Koreyoshi Kurahara
|
Japan,
|
1964
|
|
|
Black Sunday
|
Mario Bava
|
|
1960
|
|
|
Blood and Black Lace
|
Mario Bava
|
Italy,
|
1964
|
|
|
Blow-Ball
|
Márta Mészáros
|
Hungary,
|
1964
|
|
|
The Blues Accordin’ to Lightnin’ Hopkins
|
Les Blank
|
United States,
|
1968
|
|
|
Le bonheur
|
Agnès Varda
|
France,
|
1965
|
|
|
A Boring Afternoon
|
Ivan Passer
|
Czechoslovakia,
|
1968
|
|
|
Borom sarret
|
Ousmane Sembène
|
Senegal,
|
1963
|
|
|
La boutique
|
Luis García Berlanga
|
Spain,
|
1969
|
|
|
Boy
|
Nagisa Oshima
|
Japan,
|
1969
|
|
|
Branded to Kill
|
Seijun Suzuki
|
Japan,
|
1967
|
|
|
Breathless
|
Jean-Luc Godard
|
France,
|
1960
|
|
|
Bumping into Broadway
|
Hal Roach
|
United States,
|
1919
|
|
|
Butterfly
|
Shirley Clarke
|
United States,
|
1967
|
|
|
By the Sad Sea Waves
|
Alfred J. Goulding
|
United States,
|
1917
|
|
|
Calcutta
|
Louis Malle
|
France,
|
1969
|
|
|
Capricious Summer
|
Jiří Menzel
|
Czechoslovakia,
|
1968
|
|
|
Captain Kidd’s Kids
|
Hal Roach
|
United States,
|
1919
|
|
|
Carnival of Souls
|
Herk Harvey
|
United States,
|
1962
|
|
|
Carrots & Peas
|
Hollis Frampton
|
United States,
|
1969
|
|
|
The Cassandra Cat
|
Vojtěch Jasný
|
Czechoslovakia,
|
1963
|
|
|
Ceiling
|
Věra Chytilová
|
Czechoslovakia,
|
1962
|
|
|
Chafed Elbows
|
Robert Downey Sr.
|
United States,
|
1966
|
|
|
Charulata
|
Satyajit Ray
|
India,
|
1964
|
|
|
Chiefs
|
Richard Leacock and Noel E. Parmentel Jr.
|
United States,
|
1968
|
|
|
The Children Were Watching
|
Robert Drew and Richard Leacock
|
United States,
|
1961
|
|
|
Chimes at Midnight
|
Orson Welles
|
Spain,
|
1966
|
|
|
Christopher And Me
|
Richard Leacock
|
United States,
|
1960
|
|
|
Chronicle of a Summer
|
Jean Rouch and Edgar Morin
|
France,
|
1961
|
|
|
Les cinq cent balles
|
Melvin Van Peebles
|
France,
|
1961
|
|
|
The Circus
|
Charles Chaplin
|
United States,
|
1928
|
|
|
Cléo from 5 to 7
|
Agnès Varda
|
France,
|
1962
|
|
|
Closely Watched Trains
|
Jiří Menzel
|
Czechoslovakia,
|
1966
|
|
|
The Cloud-Capped Star
|
Ritwik Ghatak
|
India,
|
1960
|
|
|
Coach to Vienna
|
Karel Kachyňa
|
Czechoslovakia,
|
1966
|
|
|
La collectionneuse
|
Eric Rohmer
|
France,
|
1967
|
|
|
The Color of Pomegranates
|
Sergei Parajanov
|
Soviet Union,
|
1969
|
|
|
A Colt Is My Passport
|
Takashi Nomura
|
Japan,
|
1967
|
|
|
La commare secca
|
Bernardo Bertolucci
|
Italy,
|
1962
|
|
|
The Connection
|
Shirley Clarke
|
United States,
|
1961
|
|
|
Courage for Every Day
|
Evald Schorm
|
Czechoslovakia,
|
1964
|
|
|
Cours du soir
|
Nicolas Ribowski
|
France,
|
1967
|
|
|
The Coward
|
Satyajit Ray
|
India,
|
1965
|
|
|
Les créatures
|
Agnès Varda
|
France,
|
1966
|
|
|
The Cremator
|
Juraj Herz
|
Czechoslovakia,
|
1969
|
|
|
Crisis: Behind a Presidential Commitment
|
Robert Drew
|
United States,
|
1963
|
|
|
Cruel Gun Story
|
Takumi Furukawa
|
Japan,
|
1964
|
|
|
Cruel Story of Youth
|
Nagisa Oshima
|
Japan,
|
1960
|
|
|
Daisies
|
Věra Chytilová
|
Czechoslovakia,
|
1966
|
|
|
Daphnia
|
Jean Painlevé
|
France,
|
1928
|
|
|
The Daughter of Dawn
|
Norbert A. Myles
|
United States,
|
1920
|
|
|
Dawn of a New Day
|
Youssef Chahine
|
Egypt,
|
1965
|
|
|
A Day’s Pleasure
|
Charles Chaplin
|
United States,
|
1919
|
|
|
A Day with the Boys
|
Clu Gulager
|
United States,
|
1969
|
|
|
Death by Hanging
|
Nagisa Oshima
|
Japan,
|
1968
|
|
|
Death Drums Along the River
|
Lawrence Huntington
|
United Kingdom,
|
1963
|
|
|
Destroy All Monsters
|
Ishiro Honda
|
Japan,
|
1968
|
|
|
Le deuxième souffle
|
Jean-Pierre Melville
|
France,
|
1966
|
|
|
Devi
|
Satyajit Ray
|
India,
|
1960
|
|
|
The Devil’s Eye
|
Ingmar Bergman
|
Sweden,
|
1960
|
|
|
The Devil’s Trap
|
František Vláčil
|
Czechoslovakia,
|
1962
|
|
|
Diamonds of the Night
|
Jan Němec
|
Czechoslovakia,
|
1964
|
|
|
Diary of a Shinjuku Thief
|
Nagisa Oshima
|
Japan,
|
1969
|
|
|
Diary of Yunbogi
|
Nagisa Oshima
|
Japan,
|
1965
|
|
|
Diatoms
|
Jean Painlevé
|
France,
|
1968
|
|
|
Dillinger Is Dead
|
Marco Ferreri
|
Italy,
|
1969
|
|
|
Divorce Italian Style
|
Pietro Germi
|
Italy,
|
1961
|
|
|
Dizzy Gillespie
|
Les Blank
|
|
1965
|
|
|
Dogora
|
Ishiro Honda
|
Japan,
|
1964
|
|
|
A Dog’s Life
|
Charles Chaplin
|
United States,
|
1918
|
|
|
Dont Look Back
|
D. A. Pennebaker
|
United States,
|
1967
|
|
|
Double Suicide
|
Masahiro Shinoda
|
Japan,
|
1969
|
|
|
Downhill
|
Alfred Hitchcock
|
United Kingdom,
|
1927
|
|
|
Dragon Inn
|
King Hu
|
Taiwan,
|
1967
|
|
|
Dr. Dolittle: A Trip to Africa
|
Lotte Reiniger
|
Germany,
|
1923
|
|
|
DR. DOLITTLE: LION’S DEN: English Version
|
Lotte Reiniger
|
Germany,
|
1923
|
|
|
DR. DOLITTLE: LION’S DEN: German Version
|
Lotte Reiniger
|
Germany,
|
1923
|
|
|
Dr. Jack
|
Fred C. Newmeyer
|
United States,
|
1922
|
|
|
Dry Summer
|
Metin Erksan
|
Turkey,
|
1964
|
|
|
The Dumb Girl of Portici
|
Lois Weber and Phillips Smalley
|
United States,
|
1916
|
|
|
An Eastern Westerner
|
Hal Roach
|
United States,
|
1920
|
|
|
Ebirah, Horror of the Deep
|
Jun Fukuda
|
Japan,
|
1966
|
|
|
L’eclisse
|
Michelangelo Antonioni
|
Italy,
|
1962
|
|
|
Elsa la rose
|
Agnès Varda
|
France,
|
1966
|
|
|
Elvira Madigan
|
Bo Widerberg
|
Sweden,
|
1967
|
|
|
Emotion
|
Nobuhiko Obayashi
|
Japan,
|
1966
|
|
|
The End of Summer
|
Yasujiro Ozu
|
Japan,
|
1961
|
|
|
L’enfance nue
|
Maurice Pialat
|
France,
|
1968
|
|
|
The Entertainer
|
Tony Richardson
|
United Kingdom,
|
1960
|
|
|
Entr'acte
|
René Clair
|
France,
|
1924
|
|
|
Les escargots
|
René Laloux
|
France,
|
1966
|
|
|
Eva
|
Joseph Losey
|
Italy,
|
1962
|
|
|
Everything Goes Wrong
|
Seijun Suzuki
|
Japan,
|
1960
|
|
|
The Evil Eye
|
Mario Bava
|
Italy,
|
1963
|
|
|
The Executioner
|
Luis García Berlanga
|
Spain,
|
1963
|
|
|
The Exiles
|
Kent MacKenzie
|
United States,
|
1961
|
|
|
Experiment in Terror
|
Blake Edwards
|
United States,
|
1962
|
|
|
The Exterminating Angel
|
Luis Buñuel
|
Mexico,
|
1962
|
|
|
Eyes Without a Face
|
Georges Franju
|
France,
|
1960
|
|
|
The Fabulous Baron Munchausen
|
Karel Zeman
|
Czechoslovakia,
|
1962
|
|
|
The Face of Another
|
Hiroshi Teshigahara
|
Japan,
|
1966
|
|
|
Faces
|
John Cassavetes
|
United States,
|
1968
|
|
|
Faces of November
|
Robert Drew
|
United States,
|
1964
|
|
|
The Face
|
Piotr Studzinski
|
Poland,
|
1966
|
|
|
The Fat and the Lean
|
Roman Polanski
|
France,
|
1961
|
|
|
Feeling Good
|
Pierre Etaix
|
France,
|
1966
|
|
|
Festival
|
Murray Lerner
|
United States,
|
1967
|
|
|
Les fiancés du Pont Macdonald
|
Agnès Varda
|
France,
|
1962
|
|
|
Fighting Elegy
|
Seijun Suzuki
|
Japan,
|
1966
|
|
|
Fight, Zatoichi, Fight
|
Kenji Misumi
|
Japan,
|
1964
|
|
|
Film
|
Alan Schneider
|
United States,
|
1965
|
|
|
The Firemen’s Ball
|
Miloš Forman
|
Czechoslovakia,
|
1967
|
|
|
The Fire Within
|
Louis Malle
|
France,
|
1963
|
|
|
Fists in the Pocket
|
Marco Bellocchio
|
Italy,
|
1965
|
|
|
A Flame at the Pier
|
Masahiro Shinoda
|
Japan,
|
1962
|
|
|
The Flying Coffer
|
Lotte Reiniger
|
Germany,
|
1922
|
|
|
Footprints
|
Jaromil Jireš
|
Czechoslovakia,
|
1961
|
|
|
For Heaven’s Sake
|
Sam Taylor
|
United States,
|
1926
|
|
|
Frankenstein vs. Baragon
|
Ishiro Honda
|
Japan,
|
1965
|
|
|
The Freshman
|
Sam Taylor and Fred Newmeyer
|
United States,
|
1925
|
|
|
A Gasoline Wedding
|
Alfred J. Goulding
|
United States,
|
1918
|
|
|
Gate of Flesh
|
Seijun Suzuki
|
Japan,
|
1964
|
|
|
Genocide
|
Kazui Nihonmatsu
|
Japan,
|
1968
|
|
|
Gertrud
|
Carl Th. Dreyer
|
Denmark,
|
1964
|
|
|
Get Out and Get Under
|
Hal Roach
|
United States,
|
1920
|
|
|
Ghidorah, the Three-Headed Monster
|
Ishiro Honda
|
Japan,
|
1964
|
|
|
Girl in the Window
|
Luciano Emmer
|
Italy,
|
1961
|
|
|
Girl Shy
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1924
|
|
|
Girls of the Night
|
Kinuyo Tanaka
|
Japan,
|
1961
|
|
|
The Girls
|
Mai Zetterling
|
Sweden,
|
1968
|
|
|
Girl with Green Eyes
|
Desmond Davis
|
United Kingdom,
|
1964
|
|
|
God Respects Us When We Work, but Loves Us When We Dance
|
Les Blank
|
United States,
|
1968
|
|
|
Gods of the Plague
|
Rainer Werner Fassbinder
|
Germany,
|
1969
|
|
|
Goke, Body Snatcher from Hell
|
Hajime Sato
|
Japan,
|
1968
|
|
|
Golden Eyes
|
Jun Fukuda
|
Japan,
|
1968
|
|
|
THE GOLD RUSH: 1925 Version
|
Charles Chaplin
|
United States,
|
1925
|
|
|
Good Times, Wonderful Times
|
Lionel Rogosin
|
United Kingdom,
|
1966
|
|
|
The Gospel According to Matthew
|
Pier Paolo Pasolini
|
Italy,
|
1964
|
|
|
Le grand amour
|
Pierre Etaix
|
France,
|
1969
|
|
|
Grandma's Boy
|
Fred C. Newmeyer
|
United States,
|
1922
|
|
|
Grass: A Nation’s Battle for Life
|
Merian C. Cooper and Ernest B. Schoedsack
|
United States,
|
1925
|
|
|
La guerre est finie
|
Alain Resnais
|
France,
|
1966
|
|
|
The Hall of Lost Footsteps
|
Jaromil Jireš
|
Czechoslovakia,
|
1960
|
|
|
Hands over the City
|
Francesco Rosi
|
Italy,
|
1963
|
|
|
Happy Anniversary
|
Pierre Etaix
|
France,
|
1962
|
|
|
Happy Mother’s Day
|
Joyce Chopra and Richard Leacock
|
United States,
|
1963
|
|
|
Harakiri
|
Masaki Kobayashi
|
Japan,
|
1962
|
|
|
A Hard Day’s Night
|
Richard Lester
|
United Kingdom,
|
1964
|
|
|
The Hat
|
John Hubley
|
United States,
|
1964
|
|
|
Haunted Spooks
|
Hal Roach and Alfred J. Goulding
|
United States,
|
1920
|
|
|
The Hawks and the Sparrows
|
Pier Paolo Pasolini
|
Italy,
|
1966
|
|
|
Häxan
|
Benjamin Christensen
|
Denmark,
|
1922
|
|
|
HEIFETZ MASTER CLASS SERIES: Volume 1
|
Nathan Kroll
|
United States,
|
1962
|
|
|
HEIFETZ MASTER CLASS SERIES: Volume 2
|
Nathan Kroll
|
United States,
|
1962
|
|
|
HEIFETZ MASTER CLASS SERIES: Volume 3
|
Nathan Kroll
|
United States,
|
1962
|
|
|
HEIFETZ MASTER CLASS SERIES: Volume 4
|
Nathan Kroll
|
United States,
|
1962
|
|
|
HEIFETZ MASTER CLASS SERIES: Volume 5
|
Nathan Kroll
|
United States,
|
1962
|
|
|
HEIFETZ MASTER CLASS SERIES: Volume 6
|
Nathan Kroll
|
United States,
|
1962
|
|
|
HEIFETZ MASTER CLASS SERIES: Volume 7
|
Nathan Kroll
|
United States,
|
1962
|
|
|
HEIFETZ MASTER CLASS SERIES: Volume 8
|
Nathan Kroll
|
United States,
|
1962
|
|
|
Her Brother
|
Kon Ichikawa
|
Japan,
|
1960
|
|
|
Here Is Your Life
|
Jan Troell
|
Sweden,
|
1966
|
|
|
The Hero
|
Satyajit Ray
|
India,
|
1966
|
|
|
High and Dizzy
|
Hal Roach
|
United States,
|
1920
|
|
|
High and Low
|
Akira Kurosawa
|
Japan,
|
1963
|
|
|
His Royal Slyness
|
Hal Roach
|
United States,
|
1920
|
|
|
The Hole
|
John Hubley
|
United States,
|
1962
|
|
|
The Holy Man
|
Satyajit Ray
|
India,
|
1965
|
|
|
Honeycomb
|
Carlos Saura
|
Spain,
|
1969
|
|
|
The Honeymoon Killers
|
Leonard Kastle
|
United States,
|
1969
|
|
|
The Hop Pickers
|
Ladislav Rychman
|
Czechoslovakia,
|
1964
|
|
|
Hour of the Wolf
|
Ingmar Bergman
|
Sweden,
|
1968
|
|
|
The House Is Black
|
Forugh Farrokhzad
|
Iran,
|
1963
|
|
|
The Housemaid
|
Kim Ki-young
|
South Korea,
|
1960
|
|
|
How Do You Like Them Bananas?
|
Lionel Rogosin
|
United States,
|
1966
|
|
|
How Some Jellyfish are Born
|
Jean Painlevé
|
France,
|
1960
|
|
|
The Human Condition III
|
Masaki Kobayashi
|
Japan,
|
1961
|
|
|
The Hunt
|
Carlos Saura
|
Spain,
|
1965
|
|
|
Hyas and Stenorhynchus
|
Jean Painlevé
|
France,
|
1927
|
|
|
I Am Cuba
|
Mikhail Kalatozov
|
Cuba,
|
1964
|
|
|
I Am Curious—Blue
|
Vilgot Sjöman
|
Sweden,
|
1967
|
|
|
I Am Curious—Yellow
|
Vilgot Sjöman
|
Sweden,
|
1967
|
|
|
The Idle Class
|
Charles Chaplin
|
United States,
|
1921
|
|
|
I fidanzati
|
Ermanno Olmi
|
Italy,
|
1962
|
|
|
I Graduated, But...
|
Yasujiro Ozu
|
Japan,
|
1929
|
|
|
I Hate But Love
|
Koreyoshi Kurahara
|
Japan,
|
1962
|
|
|
Ikarie XB 1
|
Jindřich Polák
|
Czechoslovakia,
|
1963
|
|
|
I Knew Her Well
|
Antonio Pietrangeli
|
Italy,
|
1965
|
|
|
Il demonio
|
Brunello Rondi
|
Italy,
|
1964
|
|
|
The Immigrant
|
Charles Chaplin
|
United States,
|
1917
|
|
|
Immortal Love
|
Keisuke Kinoshita
|
Japan,
|
1961
|
|
|
The Immortal Story
|
Orson Welles
|
France,
|
1968
|
|
|
Ingmar Bergman Makes a Movie
|
Vilgot Sjöman
|
Sweden,
|
1962
|
|
|
The Inheritance
|
Masaki Kobayashi
|
Japan,
|
1962
|
|
|
Innocence Unprotected
|
Dušan Makavejev
|
Yugoslavia,
|
1968
|
|
|
An Innocent Witch
|
Heinosuke Gosho
|
Japan,
|
1965
|
|
|
The Insect Woman
|
Shohei Imamura
|
Japan,
|
1963
|
|
|
Intentions of Murder
|
Shohei Imamura
|
Japan,
|
1964
|
|
|
Interlude in the Marshland
|
Jan Troell
|
Sweden,
|
1965
|
|
|
Intimate Lighting
|
Ivan Passer
|
Czechoslovakia,
|
1965
|
|
|
Intimidation
|
Koreyoshi Kurahara
|
Japan,
|
1960
|
|
|
Invasion of Astro-Monster
|
Ishiro Honda
|
Japan,
|
1965
|
|
|
Ironfinger
|
Jun Fukuda
|
Japan,
|
1965
|
|
|
It’s Not Just You, Murray!
|
Martin Scorsese
|
United States,
|
1964
|
|
|
Ivan’s Childhood
|
Andrei Tarkovsky
|
Soviet Union,
|
1962
|
|
|
Japanese Summer: Double Suicide
|
Nagisa Oshima
|
Japan,
|
1967
|
|
|
La Jetée
|
Chris Marker
|
France,
|
1963
|
|
|
Jigoku
|
Nobuo Nakagawa
|
Japan,
|
1960
|
|
|
The Joke
|
Jaromil Jireš
|
Czechoslovakia,
|
1969
|
|
|
Judex
|
Georges Franju
|
France,
|
1963
|
|
|
Jules and Jim
|
François Truffaut
|
France,
|
1962
|
|
|
Juliet of the Spirits
|
Federico Fellini
|
Italy,
|
1965
|
|
|
The Junk Shop
|
Juraj Herz
|
Czechoslovakia,
|
1965
|
|
|
Just Neighbors
|
Harold Lloyd and Frank Terry
|
United States,
|
1919
|
|
|
Katzelmacher
|
Rainer Werner Fassbinder
|
Germany,
|
1969
|
|
|
Ken
|
Kenji Misumi
|
|
1964
|
|
|
Kenki
|
Kenji Misumi
|
|
1965
|
|
|
The Kid
|
Charles Chaplin
|
United States,
|
1921
|
|
|
The Kid Brother
|
Ted Wilde
|
United States,
|
1927
|
|
|
Kill!
|
Kihachi Okamoto
|
Japan,
|
1968
|
|
|
Killers on Parade
|
Masahiro Shinoda
|
Japan,
|
1961
|
|
|
The King of Kings
|
Cecil B. DeMille
|
United States,
|
1927
|
|
|
Kiru
|
Kenji Misumi
|
|
1962
|
|
|
Knife in the Water
|
Roman Polanski
|
Poland,
|
1962
|
|
|
Kuroneko
|
Kaneto Shindo
|
Japan,
|
1968
|
|
|
Kwaidan
|
Masaki Kobayashi
|
Japan,
|
1965
|
|
|
Lamb
|
Paulin Soumanou Vieyra
|
Senegal,
|
1964
|
|
|
Lambert & Co.
|
D. A. Pennebaker and Richard Leacock
|
United States,
|
1964
|
|
|
The Land
|
Youssef Chahine
|
Egypt,
|
1969
|
|
|
LA ROUE: Part 1
|
Abel Gance
|
France,
|
1923
|
|
|
LA ROUE: Part 2
|
Abel Gance
|
France,
|
1923
|
|
|
LA ROUE: Part 3
|
Abel Gance
|
France,
|
1923
|
|
|
LA ROUE: Part 4
|
Abel Gance
|
France,
|
1923
|
|
|
Late Autumn
|
Yasujiro Ozu
|
Japan,
|
1960
|
|
|
Law of the Border
|
Lütfi Ö. Akad
|
Turkey,
|
1966
|
|
|
The League of Gentlemen
|
Basil Dearden
|
United Kingdom,
|
1960
|
|
|
A Legend or Was It?
|
Keisuke Kinoshita
|
Japan,
|
1963
|
|
|
Lemon
|
Hollis Frampton
|
United States,
|
1969
|
|
|
Léon Morin, Priest
|
Jean-Pierre Melville
|
France,
|
1961
|
|
|
Lime Kiln Club Field Day archival assembly (Donald Sosin score)
|
Edwin Middleton and T. Hayes Hunter
|
United States,
|
1913
|
|
|
Lime Kiln Club Field Day archival assembly (Trevor Mathison score)
|
Edwin Middleton and T. Hayes Hunter
|
United States,
|
1913
|
|
|
Lions Love (. . . and Lies)
|
Agnès Varda
|
France,
|
1969
|
|
|
The Living Skeleton
|
Hiroshi Matsuno
|
Japan,
|
1968
|
|
|
The Lodger: A Story of the London Fog
|
Alfred Hitchcock
|
United Kingdom,
|
1927
|
|
|
Lola
|
Jacques Demy
|
France,
|
1961
|
|
|
Lonesome Luke, Messenger
|
Hal Roach
|
United States,
|
1917
|
|
|
Looking for Sally
|
Leo McCarey
|
United States,
|
1925
|
|
|
Look Pleasant, Please
|
Alfred J. Goulding
|
United States,
|
1918
|
|
|
Lord of the Flies
|
Peter Brook
|
United Kingdom,
|
1963
|
|
|
Love Affair, or the Case of the Missing Switchboard Operator
|
Dušan Makavejev
|
Yugoslavia,
|
1967
|
|
|
The Love Goddesses
|
Saul J. Turell
|
United States,
|
1965
|
|
|
Love Is Colder Than Death
|
Rainer Werner Fassbinder
|
Germany,
|
1969
|
|
|
The Love Life of the Octopus
|
Jean Painlevé
|
France,
|
1967
|
|
|
Love Meetings
|
Pier Paolo Pasolini
|
Italy,
|
1964
|
|
|
Love New and Old
|
Masahiro Shinoda
|
Japan,
|
1961
|
|
|
Loves of a Blonde
|
Miloš Forman
|
Czechoslovakia,
|
1965
|
|
|
Love Under the Crucifix
|
Kinuyo Tanaka
|
Japan,
|
1962
|
|
|
Loving Couples
|
Mai Zetterling
|
Sweden,
|
1964
|
|
|
Lucía
|
Humberto Solás
|
Cuba,
|
1968
|
|
|
La luxure
|
Jacques Demy
|
France,
|
1962
|
|
|
Mafioso
|
Alberto Lattuada
|
Italy,
|
1962
|
|
|
Magnet of Doom
|
Jean-Pierre Melville
|
France,
|
1963
|
|
|
Mammals
|
Roman Polanski
|
Poland,
|
1962
|
|
|
Mamma Roma
|
Pier Paolo Pasolini
|
Italy,
|
1962
|
|
|
Mandabi
|
Ousmane Sembène
|
Senegal,
|
1968
|
|
|
Man Is Not a Bird
|
Dušan Makavejev
|
Yugoslavia,
|
1965
|
|
|
A Man There Was
|
Victor Sjöström
|
Sweden,
|
1917
|
|
|
Manual of Arms
|
Hollis Frampton
|
United States,
|
1966
|
|
|
The Marathon
|
Alfred J. Goulding
|
Netherlands,
|
1919
|
|
|
Marketa Lazarová
|
František Vláčil
|
Czechoslovakia,
|
1967
|
|
|
Marriage Italian Style
|
Vittorio De Sica
|
|
1964
|
|
|
Masculin féminin
|
Jean-Luc Godard
|
France,
|
1966
|
|
|
Master of the House
|
Carl Th. Dreyer
|
Denmark,
|
1925
|
|
|
Matango
|
Ishiro Honda
|
Japan,
|
1963
|
|
|
Maxwell’s Demon
|
Hollis Frampton
|
United States,
|
1968
|
|
|
Medea
|
Pier Paolo Pasolini
|
Italy,
|
1969
|
|
|
Meet Marlon Brando
|
Albert Maysles, David Maysles, and Charlotte Zwerin
|
United States,
|
1966
|
|
|
Memories of Underdevelopment
|
Tomás Gutiérrez Alea
|
Cuba,
|
1968
|
|
|
Mighty Like a Moose
|
Leo McCarey
|
United States,
|
1926
|
|
|
A Modern Coed
|
Eric Rohmer
|
France,
|
1966
|
|
|
Môl
|
Paulin Soumanou Vieyra
|
Senegal,
|
1966
|
|
|
The Moment of Truth
|
Francesco Rosi
|
Italy,
|
1965
|
|
|
A Monkey in Winter
|
Henri Verneuil
|
France,
|
1962
|
|
|
Monterey Pop
|
D. A. Pennebaker
|
United States,
|
1968
|
|
|
More
|
Barbet Schroeder
|
West Germany,
|
1969
|
|
|
Mothra vs. Godzilla
|
Ishiro Honda
|
Japan,
|
1964
|
|
|
Mouchette
|
Robert Bresson
|
France,
|
1967
|
|
|
Muriel, or The Time of Return
|
Alain Resnais
|
France,
|
1963
|
|
|
The Musicians
|
Kazimierz Karabasz
|
Poland,
|
1960
|
|
|
My Home Is Copacabana
|
Arne Sucksdorff
|
Sweden,
|
1965
|
|
|
My Night at Maud’s
|
Eric Rohmer
|
France,
|
1969
|
|
|
Nadja in Paris
|
Eric Rohmer
|
France,
|
1964
|
|
|
The Naked Island
|
Kaneto Shindo
|
Japan,
|
1960
|
|
|
The Naked Kiss
|
Samuel Fuller
|
United States,
|
1964
|
|
|
A Nation Is Born
|
Paulin Soumanou Vieyra
|
Senegal,
|
1961
|
|
|
Never Weaken
|
Fred C. Newmeyer and Sam Taylor
|
United States,
|
1921
|
|
|
New Tale of Zatoichi
|
Tokuzo Tanaka
|
Japan,
|
1963
|
|
|
Next Aisle Over
|
Hal Roach
|
United States,
|
1919
|
|
|
Niaye
|
Ousmane Sembène
|
Senegal,
|
1964
|
|
|
Nice and Friendly
|
Charles Chaplin
|
United States,
|
1922
|
|
|
Night and Fog in Japan
|
Nagisa Oshima
|
Japan,
|
1960
|
|
|
Night Games
|
Mai Zetterling
|
Sweden,
|
1966
|
|
|
A Night in the Show
|
Charles Chaplin
|
United States,
|
1915
|
|
|
Night Journey
|
Alexander Hammid
|
United States,
|
1960
|
|
|
Night of the Living Dead
|
George A. Romero
|
United States,
|
1968
|
|
|
Nine Days of One Year
|
Mikhail Romm
|
Soviet Union,
|
1962
|
|
|
No More Excuses
|
Robert Downey Sr.
|
United States,
|
1968
|
|
|
Nothing but a Man
|
Michael Roemer
|
United States,
|
1964
|
|
|
La notte
|
Michelangelo Antonioni
|
Italy,
|
1961
|
|
|
Number, Please?
|
Hal Roach and Fred Newmeyer
|
United States,
|
1920
|
|
|
The Octopus
|
Jean Painlevé
|
France,
|
1927
|
|
|
Oedipus Rex
|
Pier Paolo Pasolini
|
Italy,
|
1967
|
|
|
Of Stars and Men
|
John Hubley
|
United States,
|
1961
|
|
|
The Old and the New
|
Sergei Eisenstein and Grigori Aleksandrov
|
Soviet Union,
|
1929
|
|
|
One-Way Ticket to Love
|
Masahiro Shinoda
|
Japan,
|
1960
|
|
|
Onibaba
|
Kaneto Shindo
|
Japan,
|
1964
|
|
|
The Organizer
|
Mario Monicelli
|
Italy,
|
1963
|
|
|
Our Marriage
|
Masahiro Shinoda
|
Japan,
|
1961
|
|
|
The Outlaw and His Wife
|
Victor Sjöström
|
Sweden,
|
1918
|
|
|
Over the Fence
|
J. Farrell MacDonald and Harold Lloyd
|
United States,
|
1917
|
|
|
Oysters Are in Season
|
Lionel Rogosin
|
United States,
|
1966
|
|
|
Pale Flower
|
Masahiro Shinoda
|
Japan,
|
1964
|
|
|
Pandora’s Box
|
G. W. Pabst
|
Germany,
|
1929
|
|
|
Paris Belongs to Us
|
Jacques Rivette
|
France,
|
1961
|
|
|
The Passion of Anna
|
Ingmar Bergman
|
Sweden,
|
1969
|
|
|
The Passion of Joan of Arc
|
Carl Th. Dreyer
|
France,
|
1928
|
|
|
Pay Day
|
Charles Chaplin
|
United States,
|
1922
|
|
|
Pearls of the Deep
|
Jiří Menzel, Věra Chytilová, Jaromil Jireš, Jan Němec, and Evald Schorm
|
Czechoslovakia,
|
1966
|
|
|
Peeping Tom
|
Michael Powell
|
United Kingdom,
|
1960
|
|
|
Peppermint Frappé
|
Carlos Saura
|
Spain,
|
1967
|
|
|
Persona
|
Ingmar Bergman
|
Sweden,
|
1966
|
|
|
Le petit soldat
|
Jean-Luc Godard
|
France,
|
1963
|
|
|
The Phantom Carriage
|
Victor Sjöström
|
Sweden,
|
1921
|
|
|
Phantom India - Episode 1: The Impossible Camera
|
Louis Malle
|
France,
|
1969
|
|
|
Phantom India - Episode 2: Things Seen in Madras
|
Louis Malle
|
France,
|
1969
|
|
|
Phantom India - Episode 3: The Indians and the Sacred
|
Louis Malle
|
France,
|
1969
|
|
|
Phantom India - Episode 4: Dream and Reality
|
Louis Malle
|
France,
|
1969
|
|
|
Phantom India - Episode 5: A Look at Castes
|
Louis Malle
|
France,
|
1969
|
|
|
Phantom India - Episode 6: On the Fringes of Indian Society
|
Louis Malle
|
France,
|
1969
|
|
|
Phantom India - Episode 7: Bombay
|
Louis Malle
|
France,
|
1969
|
|
|
Piccadilly
|
E. A. Dupont
|
United Kingdom,
|
1929
|
|
|
Pigs and Battleships
|
Shohei Imamura
|
Japan,
|
1962
|
|
|
The Pilgrim
|
Charles Chaplin
|
United States,
|
1923
|
|
|
La piscine
|
Jacques Deray
|
France,
|
1969
|
|
|
Pitfall
|
Hiroshi Teshigahara
|
Japan,
|
1962
|
|
|
Plácido
|
Luis García Berlanga
|
Spain,
|
1961
|
|
|
PlayTime
|
Jacques Tati
|
Italy,
|
1967
|
|
|
Pleasures of the Flesh
|
Nagisa Oshima
|
Japan,
|
1965
|
|
|
The Plot Against Harry
|
Michael Roemer
|
United States,
|
1969
|
|
|
Porcile
|
Pier Paolo Pasolini
|
Italy,
|
1969
|
|
|
The Pornographers
|
Shohei Imamura
|
Japan,
|
1966
|
|
|
Portrait of Jason
|
Shirley Clarke
|
United States,
|
1967
|
|
|
Il posto
|
Ermanno Olmi
|
Italy,
|
1961
|
|
|
Primary
|
Robert Drew
|
United States,
|
1960
|
|
|
La prisonnière
|
Henri-Georges Clouzot
|
France,
|
1968
|
|
|
Process Red
|
Hollis Frampton
|
United States,
|
1966
|
|
|
Profound Desire of the Gods
|
Shohei Imamura
|
Japan,
|
1968
|
|
|
Purple Noon
|
René Clément
|
France,
|
1960
|
|
|
Rabindranath Tagore
|
Satyajit Ray
|
India,
|
1961
|
|
|
Raven’s End
|
Bo Widerberg
|
Sweden,
|
1963
|
|
|
Red Beard
|
Akira Kurosawa
|
Japan,
|
1965
|
|
|
Red Desert
|
Michelangelo Antonioni
|
France,
|
1964
|
|
|
A Report on the Party and Guests
|
Jan Němec
|
Czechoslovakia,
|
1966
|
|
|
Return of the Prodigal Son
|
Evald Schorm
|
Czechoslovakia,
|
1967
|
|
|
La ricotta
|
Pier Paolo Pasolini
|
Italy,
|
1963
|
|
|
Ride in the Whirlwind
|
Monte Hellman
|
United States,
|
1966
|
|
|
The Rink
|
Charles Chaplin
|
United States,
|
1916
|
|
|
The Rite
|
Ingmar Bergman
|
Sweden,
|
1969
|
|
|
The River Fuefuki
|
Keisuke Kinoshita
|
Japan,
|
1960
|
|
|
Robert Frost: A Lover’s Quarrel with the World
|
Shirley Clarke
|
United States,
|
1963
|
|
|
Robinson’s Place
|
Jean Eustache
|
France,
|
1963
|
|
|
Rocco and His Brothers
|
Luchino Visconti
|
France,
|
1960
|
|
|
Rodeo
|
Carroll Ballard
|
United States,
|
1969
|
|
|
La ronde
|
Roger Vadim
|
Italy,
|
1964
|
|
|
Rubber Band Pistol
|
Juzo Itami
|
Japan,
|
1962
|
|
|
The Running Jumping & Standing Still Film
|
Richard Lester
|
United Kingdom,
|
1960
|
|
|
Rupture
|
Pierre Etaix and Jean-Claude Carrière
|
France,
|
1961
|
|
|
Safety Last!
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1923
|
|
|
The Saga of Gösta Berling
|
Mauritz Stiller
|
United States,
|
1924
|
|
|
A Sailor-Made Man
|
Fred C. Newmeyer
|
United States,
|
1921
|
|
|
Saladin the Victorious
|
Youssef Chahine
|
Egypt,
|
1963
|
|
|
Salesman
|
David Maysles, Albert Maysles, and Charlotte Zwerin
|
United States,
|
1969
|
|
|
Salut les Cubains
|
Agnès Varda
|
France,
|
1964
|
|
|
Salvatore Giuliano
|
Francesco Rosi
|
Italy,
|
1962
|
|
|
Samaritan Zatoichi
|
Kenji Misumi
|
Japan,
|
1968
|
|
|
A Sammy in Siberia
|
Hal Roach
|
United States,
|
1919
|
|
|
Le samouraï
|
Jean-Pierre Melville
|
France,
|
1967
|
|
|
Samurai Rebellion
|
Masaki Kobayashi
|
Japan,
|
1967
|
|
|
Samurai Spy
|
Masahiro Shinoda
|
Japan,
|
1965
|
|
|
Sanjuro
|
Akira Kurosawa
|
Japan,
|
1962
|
|
|
Santa Claus Has Blue Eyes
|
Jean Eustache
|
France,
|
1966
|
|
|
Saturday Night and Sunday Morning
|
Karel Reisz
|
United Kingdom,
|
1960
|
|
|
Saute ma ville
|
Chantal Akerman
|
Belgium,
|
1968
|
|
|
A Scary Time
|
Shirley Clarke and Robert Hughes
|
United States,
|
1960
|
|
|
Scattered Clouds
|
Mikio Naruse
|
Japan,
|
1967
|
|
|
Sculptures by Sofu - Vita
|
Hiroshi Teshigahara
|
Japan,
|
1963
|
|
|
Séance on a Wet Afternoon
|
Bryan Forbes
|
United Kingdom,
|
1964
|
|
|
Sea Urchins
|
Jean Painlevé
|
France,
|
1928
|
|
|
The Secret of the Marquise
|
Lotte Reiniger
|
Germany,
|
1922
|
|
|
Seduced and Abandoned
|
Pietro Germi
|
Italy,
|
1964
|
|
|
Seven Second Love Affair
|
Robert Abel
|
|
1965
|
|
|
Several Friends
|
Charles Burnett
|
United States,
|
1969
|
|
|
Shame
|
Ingmar Bergman
|
Sweden,
|
1968
|
|
|
The Shepherds of Calamity
|
Nico Papatakis
|
Greece,
|
1967
|
|
|
Shock Corridor
|
Samuel Fuller
|
United States,
|
1963
|
|
|
Shoes
|
Lois Weber
|
United States,
|
1916
|
|
|
The Shooting
|
Monte Hellman
|
United States,
|
1966
|
|
|
Shoot the Piano Player
|
François Truffaut
|
France,
|
1960
|
|
|
The Shop on Main Street
|
Ján Kadár and Elmar Klos
|
Czechoslovakia,
|
1965
|
|
|
Shoulder Arms
|
Charles Chaplin
|
United States,
|
1918
|
|
|
Shrimp Stories
|
Jean Painlevé
|
France,
|
1964
|
|
|
The Silence
|
Ingmar Bergman
|
Sweden,
|
1963
|
|
|
Simon of the Desert
|
Luis Buñuel
|
Mexico,
|
1965
|
|
|
Sing a Song of Sex
|
Nagisa Oshima
|
Japan,
|
1967
|
|
|
Sing, Young People!
|
Keisuke Kinoshita
|
Japan,
|
1963
|
|
|
Six Men Getting Sick
|
David Lynch
|
United States,
|
1967
|
|
|
Skyscraper
|
Shirley Clarke and Willard Van Dyke
|
United States,
|
1960
|
|
|
The Soft Skin
|
François Truffaut
|
France,
|
1964
|
|
|
Something Different
|
Věra Chytilová
|
Czechoslovakia,
|
1963
|
|
|
Son of Godzilla
|
Jun Fukuda
|
Japan,
|
1967
|
|
|
Il sorpasso
|
Dino Risi
|
Italy,
|
1962
|
|
|
Speedy
|
Ted Wilde
|
United States,
|
1928
|
|
|
Spider Baby
|
Jack Hill
|
United States,
|
1967
|
|
|
Spirits of the Dead
|
Federico Fellini, Louis Malle, and Roger Vadim
|
Italy,
|
1968
|
|
|
Spring Dreams
|
Keisuke Kinoshita
|
Japan,
|
1960
|
|
|
Spring Fever
|
Hal Roach
|
United States,
|
1919
|
|
|
The Steamroller and the Violin
|
Andrei Tarkovsky
|
Soviet Union,
|
1961
|
|
|
Stereo
|
David Cronenberg
|
Canada,
|
1969
|
|
|
The Stickleback's Egg
|
Jean Painlevé
|
France,
|
1925
|
|
|
Stolen Kisses
|
François Truffaut
|
France,
|
1968
|
|
|
Story of a Prostitute
|
Seijun Suzuki
|
Japan,
|
1965
|
|
|
The Story of a Three Day Pass
|
Melvin Van Peebles
|
United States,
|
1967
|
|
|
A Straightforward Boy
|
Yasujiro Ozu
|
Japan,
|
1929
|
|
|
Straits of Magellan: Pan 700
|
Hollis Frampton
|
United States,
|
1969
|
|
|
Stress Is Three
|
Carlos Saura
|
Spain,
|
1968
|
|
|
Strike
|
Sergei Eisenstein
|
Soviet Union,
|
1925
|
|
|
The Suitor
|
Pierre Etaix
|
France,
|
1963
|
|
|
Sunnyside
|
Charles Chaplin
|
United States,
|
1919
|
|
|
The Sun’s Burial
|
Nagisa Oshima
|
Japan,
|
1960
|
|
|
Surface Tension
|
Hollis Frampton
|
United States,
|
1968
|
|
|
Suzanne’s Career
|
Eric Rohmer
|
France,
|
1963
|
|
|
The Sword of Doom
|
Kihachi Okamoto
|
Japan,
|
1966
|
|
|
Sword of the Beast
|
Hideo Gosha
|
Japan,
|
1965
|
|
|
Take a Chance
|
Alfred J. Goulding
|
United States,
|
1918
|
|
|
Take Aim at the Police Van
|
Seijun Suzuki
|
Japan,
|
1960
|
|
|
The Taking of Power by Louis XIV
|
Roberto Rossellini
|
Italy,
|
1966
|
|
|
The Tale of Zatoichi
|
Kenji Misumi
|
Japan,
|
1962
|
|
|
The Tale of Zatoichi Continues
|
Kazuo Mori
|
Japan,
|
1962
|
|
|
A Taste of Honey
|
Tony Richardson
|
United Kingdom,
|
1961
|
|
|
Les temps morts
|
René Laloux
|
France,
|
1965
|
|
|
Teorema
|
Pier Paolo Pasolini
|
Italy,
|
1968
|
|
|
A Test of Violence
|
Stuart Cooper
|
United Kingdom,
|
1969
|
|
|
That's Him
|
Gilbert Pratt
|
United States,
|
1918
|
|
|
The Third Shadow Warrior
|
Umetsugu Inoue
|
Japan,
|
1963
|
|
|
Thirst for Love
|
Koreyoshi Kurahara
|
Japan,
|
1967
|
|
|
This Sporting Life
|
Lindsay Anderson
|
United Kingdom,
|
1963
|
|
|
Three Daughters
|
Satyajit Ray
|
India,
|
1961
|
|
|
Three Outlaw Samurai
|
Hideo Gosha
|
Japan,
|
1964
|
|
|
Three Resurrected Drunkards
|
Nagisa Oshima
|
Japan,
|
1968
|
|
|
Through a Glass Darkly
|
Ingmar Bergman
|
Sweden,
|
1961
|
|
|
A Time for Burning
|
Barbara Connell and William C. Jersey
|
United States,
|
1966
|
|
|
Toby Dammit
|
Federico Fellini
|
Italy,
|
1968
|
|
|
Tokyo Drifter
|
Seijun Suzuki
|
Japan,
|
1966
|
|
|
Tom Jones
|
Tony Richardson
|
United Kingdom,
|
1963
|
|
|
Topaz
|
Alfred Hitchcock
|
United States,
|
1969
|
|
|
Torn Curtain
|
Alfred Hitchcock
|
United States,
|
1966
|
|
|
The Tram
|
Krzysztof Kieślowski
|
Poland,
|
1966
|
|
|
The Trial of Joan of Arc
|
Robert Bresson
|
France,
|
1962
|
|
|
Le trou
|
Jacques Becker
|
France,
|
1960
|
|
|
Tunes of Glory
|
Ronald Neame
|
United Kingdom,
|
1960
|
|
|
The Umbrellas of Cherbourg
|
Jacques Demy
|
France,
|
1964
|
|
|
Uncle Yanco
|
Agnès Varda
|
France,
|
1968
|
|
|
The Unfortunate Bridegroom
|
Jiří Krejčík
|
Czechoslovakia,
|
1967
|
|
|
The Unknown
|
Tod Browning
|
United States,
|
1927
|
|
|
Urbanissimo
|
John Hubley
|
United States,
|
1966
|
|
|
The Valley of the Bees
|
František Vláčil
|
Czechoslovakia,
|
1968
|
|
|
Victim
|
Basil Dearden
|
United Kingdom,
|
1961
|
|
|
Violence at Noon
|
Nagisa Oshima
|
Japan,
|
1966
|
|
|
The Virgin of Pessac
|
Jean Eustache
|
France,
|
1969
|
|
|
The Virgin Spring
|
Ingmar Bergman
|
Sweden,
|
1960
|
|
|
Viridiana
|
Luis Buñuel
|
Spain,
|
1961
|
|
|
Vive le Tour
|
Louis Malle
|
France,
|
1962
|
|
|
Vivre sa vie
|
Jean-Luc Godard
|
France,
|
1962
|
|
|
Viy
|
Georgi Kropachyov and Konstantin Ershov
|
Soviet Union,
|
1967
|
|
|
The Wandering Princess
|
Kinuyo Tanaka
|
Japan,
|
1960
|
|
|
War and Peace, Part I: Andrei Bolkonsky
|
Sergei Bondarchuk
|
Soviet Union,
|
1966
|
|
|
War and Peace, Part II: Natasha Rostova
|
Sergei Bondarchuk
|
Soviet Union,
|
1966
|
|
|
War and Peace, Part III: The Year 1812
|
Sergei Bondarchuk
|
Soviet Union,
|
1967
|
|
|
War and Peace, Part IV: Pierre Bezukhov
|
Sergei Bondarchuk
|
Soviet Union,
|
1967
|
|
|
The War of the Gargantuas
|
Ishiro Honda
|
Japan,
|
1966
|
|
|
The Warped Ones
|
Koreyoshi Kurahara
|
Japan,
|
1960
|
|
|
Weekend
|
Jean-Luc Godard
|
France,
|
1967
|
|
|
Welcome Danger
|
Clyde Bruckman
|
United States,
|
1929
|
|
|
Welcome, or No Trespassing
|
Elem Klimov
|
Soviet Union,
|
1964
|
|
|
What’s a Nice Girl Like You Doing In a Place Like This?
|
Martin Scorsese
|
United States,
|
1963
|
|
|
When a Woman Ascends the Stairs
|
Mikio Naruse
|
Japan,
|
1960
|
|
|
The White Dove
|
František Vláčil
|
Czechoslovakia,
|
1960
|
|
|
Why Worry?
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1923
|
|
|
Wild 90
|
Norman Mailer
|
United States,
|
1968
|
|
|
Windy Day
|
John Hubley and Faith Hubley
|
United States,
|
1968
|
|
|
Wings
|
Larisa Shepitko
|
Soviet Union,
|
1966
|
|
|
Winter Light
|
Ingmar Bergman
|
Sweden,
|
1963
|
|
|
The Witches
|
Mauro Bolognini, Vittorio De Sica, Pier Paolo Pasolini, Franco Rossi, and Luchino Visconti
|
Italy,
|
1967
|
|
|
With Beauty and Sorrow
|
Masahiro Shinoda
|
Japan,
|
1965
|
|
|
Woman in the Dunes
|
Hiroshi Teshigahara
|
Japan,
|
1964
|
|
|
A Woman of Paris
|
Charles Chaplin
|
United States,
|
1923
|
|
|
Women of the Resistance
|
Liliana Cavani
|
Italy,
|
1965
|
|
|
The World’s Greatest Sinner
|
Timothy Carey
|
United States,
|
1962
|
|
|
The X from Outer Space
|
Kazui Nihonmatsu
|
Japan,
|
1967
|
|
|
Yearning
|
Mikio Naruse
|
Japan,
|
1964
|
|
|
Yesterday, Today, and Tomorrow
|
Vittorio De Sica
|
Italy,
|
1963
|
|
|
Yojimbo
|
Akira Kurosawa
|
Japan,
|
1961
|
|
|
The Young Girls of Rochefort
|
Jacques Demy
|
France,
|
1967
|
|
|
Young Mr. Jazz
|
Hal Roach
|
United States,
|
1919
|
|
|
Young Törless
|
Volker Schlöndorff
|
Germany,
|
1966
|
|
|
Youth in Fury
|
Masahiro Shinoda
|
Japan,
|
1960
|
|
|
Youth of the Beast
|
Seijun Suzuki
|
Japan,
|
1963
|
|
|
Yoyo
|
Pierre Etaix
|
France,
|
1965
|
|
|
Z
|
Costa-Gavras
|
Greece,
|
1969
|
|
|
Zatoichi and the Chess Expert
|
Kenji Misumi
|
Japan,
|
1965
|
|
|
Zatoichi and the Chest of Gold
|
Kazuo Ikehiro
|
Japan,
|
1964
|
|
|
Zatoichi and the Doomed Man
|
Kazuo Mori
|
Japan,
|
1965
|
|
|
Zatoichi and the Fugitives
|
Kimiyoshi Yasuda
|
Japan,
|
1968
|
|
|
Zatoichi Challenged
|
Kenji Misumi
|
Japan,
|
1967
|
|
|
Zatoichi on the Road
|
Kimiyoshi Yasuda
|
Japan,
|
1963
|
|
|
Zatoichi’s Cane Sword
|
Kimiyoshi Yasuda
|
Japan,
|
1967
|
|
|
Zatoichi’s Flashing Sword
|
Kazuo Ikehiro
|
Japan,
|
1964
|
|
|
Zatoichi’s Pilgrimage
|
Kazuo Ikehiro
|
Japan,
|
1966
|
|
|
Zatoichi’s Revenge
|
Akira Inoue
|
Japan,
|
1965
|
|
|
Zatoichi’s Vengeance
|
Tokuzo Tanaka
|
Japan,
|
1966
|
|
|
Zatoichi the Fugitive
|
Tokuzo Tanaka
|
Japan,
|
1963
|
|
|
Zatoichi the Outlaw
|
Satsuo Yamamoto
|
Japan,
|
1967
|
|
|
Zazie dans le métro
|
Louis Malle
|
France,
|
1960
|
|
|
Zero Focus
|
Yoshitaro Nomura
|
Japan,
|
1961
|
|
|
Zuckerkandl!
|
John Hubley
|
United States,
|
1968
|
