|
Alma Punk
|
Sarah Minter
|
Mexico,
|
1991
|
|
Aquí
|
Carlos Mario
|
Puerto Rico,
|
2020
|
|
Araya
|
Margot Benacerraf
|
Venezuela,
|
1959
|
|
Bestia
|
Hugo Covarrubias
|
Chile,
|
2021
|
|
Caballerango
|
Juan Pablo González
|
Mexico,
|
2018
|
|
Canoa: A Shameful Memory
|
Felipe Cazals
|
Mexico,
|
1976
|
|
The cemetery lightens
|
Luis Alejandro Yero
|
Cuba,
|
2018
|
|
La Ciénaga
|
Lucrecia Martel
|
Argentina,
|
2001
|
|
Cronos
|
Guillermo del Toro
|
Mexico,
|
1993
|
|
Dear Chantal
|
Nicolás Pereda
|
Mexico,
|
2021
|
|
Dos Estaciones
|
Juan Pablo González
|
Mexico,
|
2022
|
|
Dos monjes
|
Juan Bustillo Oro
|
Mexico,
|
1934
|
|
La Espera
|
Juan Pablo González
|
Mexico,
|
2016
|
|
The Exterminating Angel
|
Luis Buñuel
|
Mexico,
|
1962
|
|
Geometria
|
Guillermo del Toro
|
Mexico,
|
1987
|
|
I Am Cuba
|
Mikhail Kalatozov
|
Cuba,
|
1964
|
|
Japón
|
Carlos Reygadas
|
Mexico,
|
2002
|
|
Lucía
|
Humberto Solás
|
Cuba,
|
1968
|
|
Mamartuile
|
Alejandro Saevich
|
Mexico,
|
2017
|
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Memories of Underdevelopment
|
Tomás Gutiérrez Alea
|
Cuba,
|
1968
|
|
Nobody Is Innocent
|
Sarah Minter
|
Mexico,
|
1986
|
|
Nobody Is Innocent: Twenty Years Later
|
Sarah Minter
|
Mexico,
|
2010
|
|
Las Nubes
|
Juan Pablo González
|
Mexico,
|
2017
|
|
The Olympics in Mexico
|
Alberto Isaac
|
Mexico,
|
1969
|
|
Parsi
|
Mariano Blatt and Eduardo Williams
|
Argentina,
|
2019
|
|
The Phantom of the Monastery
|
Fernando de Fuentes
|
Mexico,
|
1934
|
|
Prisoner’s Cinema
|
Beatriz Santiago Muñoz
|
Puerto Rico,
|
2013
|
|
Redes
|
Emilio Gómez Muriel…
|
Mexico,
|
1936
|
|
Shit Saturday
|
Gregorio Rocha
|
Mexico,
|
1988
|
|
Simon of the Desert
|
Luis Buñuel
|
Mexico,
|
1965
|
|
The Solitude of Memory
|
Juan Pablo González
|
Mexico,
|
2014
|
|
Tótem
|
Lila Avilés
|
Mexico,
|
2023
|
|
TRENQUE LAUQUEN: Part 1
|
Laura Citarella
|
Argentina,
|
2022
|
|
TRENQUE LAUQUEN: Part 2
|
Laura Citarella
|
Argentina,
|
2022
|
|
Two Sons and a River of Blood
|
Amber Bemak and Angelo Madsen Minax
|
Mexico,
|
2021
|
|
Victims of Sin
|
Emilio Fernández
|
Mexico,
|
1951
|