Features

The deeply introspective music in Claudine brings layers of emotional authenticity and nuance to a portrait of Black love and family.

A Pulitzer Prize–winning poet pays tribute to the liberating power of the pioneering filmmaker and his truth-telling body of work.

First Person

In the early days of the COVID-19 pandemic, a New York writer recalls the pure, easy pleasures of the multiplex and the feeling of escape at the heart of moviegoing.

Songbook

The iconic band’s 1976 song “Radio-Activity” finds a perfect home in the final episode of Berlin Alexanderplatz, providing a musical correlative to the film’s interrogation of national identity.

One Scene

A rich investment banker obliviously meets a moment of reckoning in David Fincher’s intricately plotted thriller.

Martin Scorsese’s World Cinema Project No. 3

The efforts of The Film Foundation’s World Cinema Project have served as a powerful vehicle for reconfiguring the history of the art form in critical and expansive ways.

First Person

The author of The Fortress of Solitude considers the meditative, “brain-rinsing” effects of the solo moviegoing experience.

Anxiety, panic, and chronic ambivalence course through the hilarious films of one of America’s most influential comedic voices.

Performances

In the first of his two collaborations with Satyajit Ray, the Bengali superstar did not just rely on his image, he enriched it with a unique blend of charisma and craft.

Childishly anarchic in worldview and distinctly analog in look, the animated films of Bill Plympton are a testament to the pleasures of painstaking craftsmanship.

The beloved actor, who passed away earlier this month, brought a live-wire sensibility and a genius for improvisation to a small but potent filmography.

One of indie visionary Bill Gunn’s creative partners looks back on the struggles they faced in a racist movie industry and the making of their long-neglected masterpiece Personal Problems.

Deep Dives

A noirish tale of closed-door dealings and systemic corruption, I Will Buy You is the anti-sports movie that feels most like baseball in 2020.

One Scene

Filmmakers Ashley Connor, Anna Rose Holmer, Kirsten Johnson, and Lauren Wolkstein explore the moments in the French master’s oeuvre that resonate most deeply with them.

First Person

The author of Call Me by Your Name remembers the first time he saw The Apartment—and the long, late-night pilgrimage through a vanishing Manhattan that the film inspired.

Songbook

The heartbreaking lament “Fare Thee Well” builds in resonance as it drifts through multiple scenes in the Coen brothers’ folk-fueled drama.

The Canadian auteur’s fanatically elaborate puzzle-box narratives invite the audience to discover their hidden meanings and bear the psychological burdens of their characters.

Songbook

In Nagisa Oshima’s POW drama Merry Christmas Mr. Lawrence, a palpable but forbidden attraction achieves its most potent expression through music.

One Scene

Separated from the domestic spaces they once inhabited, two glass vases and a mahogany desk settle into a caged museum life in Olivier Assayas’s deeply felt family portrait.

Songbook

In La dolce vita, an upbeat tune by Nino Rota turns a dour party into a feast of ecstatic movement.

In celebration of his hundredth birthday, we look back on the legacy of the extraordinarily prolific icon of Italian cinema, whose unmatched rapport with audiences stretched across a six-decade career.

A racist, traditionally desexualized archetype from classic Hollywood gets queered and eroticized in Cheryl Dunye’s indie landmark The Watermelon Woman, now playing on the Criterion Channel.

The legendary Belgian-born filmmaker sought to break free from the strictures and conventions of cinematic portraiture, a career-long project that brought her relationship with her mother into focus.

A pedestrian activity becomes a radical vision in Elevator to the Gallows, La notte, Vagabond, and other films that follow their female stars on foot.