Author Spotlight

Nick Pinkerton

Nick Pinkerton is a Cincinnati-born, Brooklyn-based writer focused on moving-image-based art. His writing has appeared in Film Comment, Sight & Sound, Artforum, frieze, Reverse Shot, 4Columns, Harper’s, the Baffler, and the Village Voice, among other publications

7 Results

Performances

Defending Your Life: Philip Baker Hall in Secret Honor

A few dozen versions of Richard Nixon wrestle for control in Robert Altman’s portrait of the disgraced president, fueled by a lead performance of pure, unloosed spleen.

By Nick Pinkerton

The Truth About Punk According to Penelope Spheeris

The foremost chronicler of punk made films that captured the messy contradictions and sheer rage at the heart of the phenomenon.

By Nick Pinkerton

Police Story and Police Story 2: Law and Disorder

With these twin monuments of Hong Kong action filmmaking, Jackie Chan catapulted to international stardom, perfecting a unique blend of athleticism and populism.

By Nick Pinkerton

Deep Dives

Machine Gun McCain and the Birth of the Cassavetes Clan

Before John Cassavetes and his core group of actors became famous for their unflinching melodramas, they converged in this tough and dirty Italian gangster film.

By Nick Pinkerton

Performances

All-American Medea: Shirley Stoler in The Honeymoon Killers

A tragedian at heart, Shirley Stoler found her Medea in the role of a glowering bandit on the run in Leonard Kastle’s seedy true-crime drama.

By Nick Pinkerton

Anatomy of a Murder: Atomization of a Murder
When it comes to depicting actual people’s jobs, the truism goes, Hollywood gets everything wrong with stunning regularity. The rare exception is Otto Preminger’s Anatomy of a Murder (1959), widely considered among the finest trial films ever mad…

By Nick Pinkerton

Eclipse Series 5: The First Films of Samuel Fuller

Instead of calling “Action!” Samuel Fuller discharged a Colt .45 in the air. It was the first scene he had ever directed, on the set of I Shot Jesse James (1949), and he knew the importance of a good opening—“If a story doesn’t give you a h

By Nick Pinkerton