|
4 Quarters
|
Ashley McKenzie
|
Canada,
|
2015
|
|
7 p., cuis., s. de b. . . . (à saisir)
|
Agnès Varda
|
France,
|
1984
|
|
11’09”01—September 11
|
Mira Nair
|
United States,
|
2002
|
|
24 Hours in the Life of a Clown
|
Jean-Pierre Melville
|
France,
|
1946
|
|
Accomplice
|
Hal Hartley
|
United States,
|
2010
|
|
Adventure
|
Hal Hartley and Hal Hartley
|
United States,
|
2010
|
|
African Booty Scratcher
|
Nikyatu Jusu
|
United States,
|
2007
|
|
Ala Kachuu – Take and Run
|
Maria Brendle
|
Kyrgyzstan,
|
2020
|
|
All the Crows in the World
|
Tang Yi
|
Hong Kong,
|
2021
|
|
Ambition
|
Hal Hartley
|
United States,
|
1991
|
|
A/Muse
|
Hal Hartley
|
United States,
|
2010
|
|
Angst isst seele auf
|
Shahbaz Noshir
|
Germany,
|
2002
|
|
Antoine/Milena
|
Sharon Lockhart
|
United States,
|
2015
|
|
The Apologies
|
Hal Hartley
|
United States,
|
2010
|
|
Aria Diva
|
Agnieszka Smoczyńska
|
Poland,
|
2007
|
|
As If No Misfortune Had Occurred in the Night
|
Søren Lind and Larissa Sansour
|
Denmark,
|
2022
|
|
August Sky
|
Jasmin Tenucci
|
Brazil,
|
2020
|
|
A Bagful of Fleas
|
Věra Chytilová
|
Czechoslovakia,
|
1962
|
|
Because Men in Silk Shirts on Lagos Nights
|
Arie Esiri
|
United States,
|
2018
|
|
Behemoth: or the Game of God
|
Lemohang Jeremiah Mosese
|
Lesotho,
|
2016
|
|
Besida
|
Chuko Esiri
|
Nigeria,
|
2018
|
|
The Big Shave
|
Martin Scorsese
|
United States,
|
1967
|
|
The Big Trim
|
John Magary
|
United States,
|
2020
|
|
Bleue
|
Ornella Pacchioni
|
France,
|
2021
|
|
Blood Below the Skin
|
Jennifer Reeder
|
United States,
|
2015
|
|
A Boring Afternoon
|
Ivan Passer
|
Czechoslovakia,
|
1968
|
|
Borom sarret
|
Ousmane Sembène
|
Senegal,
|
1963
|
|
The Boy Who Walked Backwards
|
Thomas Vinterberg
|
Denmark,
|
1995
|
|
The Bread and Alley
|
Abbas Kiarostami
|
Iran,
|
1970
|
|
Breaktime
|
Abbas Kiarostami
|
Iran,
|
1972
|
|
Carne Seca
|
Jazmin Diaz
|
United States,
|
2015
|
|
The Cartographer’s Girlfriend
|
Hal Hartley
|
United States,
|
1987
|
|
Ceiling
|
Věra Chytilová
|
Czechoslovakia,
|
1962
|
|
A Certain Morning
|
Fanta Régina Nacro
|
Burkina Faso,
|
1991
|
|
La chambre
|
Chantal Akerman
|
United States,
|
1972
|
|
Charlotte et son Jules
|
Jean-Luc Godard
|
France,
|
1959
|
|
Le chien du Monsieur Michel
|
Jean-Jacques Beineix
|
France,
|
1977
|
|
Children
|
Terence Davies
|
United Kingdom,
|
1976
|
|
Les cinq cent balles
|
Melvin Van Peebles
|
France,
|
1961
|
|
Civic
|
Dwayne LeBlanc
|
United States,
|
2022
|
|
Close to Home
|
Erik Skjoldbjærg
|
New Zealand,
|
1994
|
|
The Couple Next Door
|
Abbesi Akhamie
|
United States,
|
2020
|
|
Crystal Lake
|
Jennifer Reeder
|
United States,
|
2016
|
|
Cuba Libre
|
Albert Serra
|
Spain,
|
2013
|
|
The Curve
|
Edwige Shaki
|
France,
|
1999
|
|
Cutaway
|
Kazik Radwanski
|
Canada,
|
2014
|
|
Dad’s Dead
|
Chris Shepherd
|
United Kingdom,
|
2002
|
|
Dark Matters
|
Monique Walton
|
United States,
|
2010
|
|
The Day the Mercedes Became a Hat
|
Mira Nair
|
South Africa,
|
1993
|
|
Death and Transfiguration
|
Terence Davies
|
United Kingdom,
|
1983
|
|
Dikit
|
Gabriela Serrano
|
Philippines,
|
2021
|
|
A Dirty Story
|
Jean Eustache
|
France,
|
1977
|
|
Discontinuity
|
Lori Felker
|
United States,
|
2015
|
|
Dogs
|
Hal Hartley
|
United States,
|
1988
|
|
Doors of the Past
|
Rosine Mbakam
|
Belgium,
|
2011
|
|
Dreaming Rivers
|
Martina Attille
|
United Kingdom,
|
1988
|
|
Editing
|
Dustin Guy Defa
|
United States,
|
2021
|
|
Employment Offer
|
Jean Eustache
|
France,
|
1982
|
|
En passant
|
Atom Egoyan
|
Canada,
|
1991
|
|
The Face
|
Piotr Studzinski
|
Poland,
|
1966
|
|
The Fat and the Lean
|
Roman Polanski
|
France,
|
1961
|
|
Fatherland
|
George Sikharulidze
|
Georgia,
|
2018
|
|
Filipiñana
|
Rafael Manuel
|
Philippines,
|
2020
|
|
Five Miles Out
|
Andrew Haigh
|
United Kingdom,
|
2009
|
|
Flowers
|
Nikyatu Jusu and Yvonne Michelle Shirley
|
United States,
|
2015
|
|
Footprints
|
Jaromil Jireš
|
Czechoslovakia,
|
1961
|
|
Foreign Land
|
Götz Spielmann
|
Austria,
|
1984
|
|
A Fortress
|
Miryam Charles
|
Haiti,
|
2018
|
|
FROM THE FAMILY OF REPTILES and THE ISLAND
|
Wim Wenders
|
Germany,
|
1974
|
|
Gasman
|
Lynne Ramsay
|
United Kingdom,
|
1998
|
|
Goose
|
Arie Esiri and Chuko Esiri
|
United States,
|
2017
|
|
The Gossips of Cicadidae
|
Vahn Leinard Pascual
|
Philippines,
|
2022
|
|
Hallway
|
Leah Shore
|
United States,
|
2015
|
|
The Headhunter’s Daughter
|
Don Josephus Raphael Eblahan
|
Philippines,
|
2022
|
|
The Hedonists
|
Jia Zhangke
|
China,
|
2016
|
|
Hito
|
Stephen Lopez
|
Philippines,
|
2023
|
|
Home Away from Home
|
Maureen Blackwood
|
United Kingdom,
|
1994
|
|
Les horizons morts
|
Jacques Demy
|
France,
|
1951
|
|
Hot Mother
|
Lucy Knox
|
New Zealand,
|
2020
|
|
How Can It Be
|
Mira Nair
|
France,
|
2008
|
|
Human Voice
|
Edoardo Ponti
|
Italy,
|
2014
|
|
Ifé
|
H. Lenn Keller
|
United States,
|
1993
|
|
i get so sad sometimes
|
Trishtan Perez
|
Philippines,
|
2021
|
|
Implied Harmonies
|
Hal Hartley
|
United States,
|
2010
|
|
Interlude in the Marshland
|
Jan Troell
|
Sweden,
|
1965
|
|
In the Rivers of Mercy Angst
|
Ayoka Chenzira
|
United States,
|
1997
|
|
Iris
|
Hal Hartley
|
United States,
|
1994
|
|
It’s Raining Frogs Outside
|
Maria Estela Paiso
|
Philippines,
|
2021
|
|
Janine
|
Cheryl Dunye
|
United States,
|
1990
|
|
La Jetée
|
Chris Marker
|
France,
|
1963
|
|
Keeping Time
|
Darol Olu Kae
|
United States,
|
2023
|
|
Kid
|
Hal Hartley
|
United States,
|
1984
|
|
Kill the Day
|
Lynne Ramsay
|
United Kingdom,
|
1996
|
|
Lady of the Night
|
Marin Håskjold
|
Norway,
|
2017
|
|
Last Round
|
Thomas Vinterberg
|
Denmark,
|
1993
|
|
La luxure
|
Jacques Demy
|
France,
|
1962
|
|
Madonna and Child
|
Terence Davies
|
United Kingdom,
|
1980
|
|
Masquerade
|
Olive Nwosu
|
United Kingdom,
|
2021
|
|
Migration
|
Mira Nair
|
United States,
|
2008
|
|
Mosonngoa
|
Lemohang Jeremiah Mosese
|
Lesotho,
|
2014
|
|
Near Winter
|
Erik Skjoldbjærg
|
Norway,
|
1993
|
|
The New Math(s)
|
Hal Hartley
|
United States,
|
2000
|
|
A New Year
|
George Sikharulidze
|
Georgia,
|
2018
|
|
Nina
|
Hristo Simeonov
|
Bulgaria,
|
2019
|
|
NYC 3/94
|
Hal Hartley
|
United States,
|
1994
|
|
Opera No. 1
|
Hal Hartley
|
United States,
|
1994
|
|
Ophelia’s Opera
|
Abiola Abrams
|
United States,
|
2001
|
|
Orderly or Disorderly
|
Abbas Kiarostami
|
Iran,
|
1981
|
|
Otemba
|
Kayo Hatta
|
United States,
|
1988
|
|
The Other Also
|
Hal Hartley
|
United States,
|
1997
|
|
Passionless Moments
|
Jane Campion
|
Australia,
|
1983
|
|
Perfect Image?
|
Maureen Blackwood
|
United Kingdom,
|
1988
|
|
Person to Person
|
Dustin Guy Defa
|
United States,
|
2014
|
|
Physical Pinball
|
David Gordon Green
|
United States,
|
1998
|
|
Pleasant Grove
|
David Gordon Green
|
United States,
|
1997
|
|
Point and Line to Plane
|
Sofia Bohdanowicz
|
Canada,
|
2020
|
|
The Potluck and the Passion
|
Cheryl Dunye
|
United States,
|
1993
|
|
A Prayer
|
Sofia Bohdanowicz
|
Canada,
|
2013
|
|
À propos de Nice
|
Jean Vigo and Boris Kaufman
|
France,
|
1930
|
|
Puk Nini
|
Fanta Régina Nacro
|
Burkina Faso,
|
1995
|
|
Pull Your Head to the Moon: Stories of Creole Women
|
Ayoka Chenzira
|
United States,
|
1992
|
|
Puss
|
Leah Shore
|
United States,
|
2021
|
|
A Radical Duet
|
Onyeka Igwe
|
United Kingdom,
|
2023
|
|
Rat Pack Rat
|
Todd Rohal
|
United States,
|
2014
|
|
Republic
|
Grace Passô
|
Brazil,
|
2020
|
|
Review
|
Dustin Guy Defa
|
United States,
|
2015
|
|
the river that never ends
|
JT Trinidad
|
Philippines,
|
2022
|
|
Robinson’s Place
|
Jean Eustache
|
France,
|
1963
|
|
Rupture
|
Pierre Etaix and Jean-Claude Carrière
|
France,
|
1961
|
|
Rupture
|
Yassmina Karajah
|
Jordan,
|
2017
|
|
Safe
|
Ian Barling
|
United States,
|
2021
|
|
Santa Claus Has Blue Eyes
|
Jean Eustache
|
France,
|
1966
|
|
Saute ma ville
|
Chantal Akerman
|
Belgium,
|
1968
|
|
Say Grace Before Drowning
|
Nikyatu Jusu
|
United States,
|
2010
|
|
Scaffold
|
Kazik Radwanski
|
Canada,
|
2017
|
|
The Script
|
Brit Fryer and Noah Schamus
|
United States,
|
2023
|
|
Second Generation
|
Miryam Charles
|
Canada,
|
2019
|
|
She and Her Cat
|
Makoto Shinkai
|
Japan,
|
1999
|
|
She Don’t Fade
|
Cheryl Dunye
|
United States,
|
1991
|
|
The Sisters of Mercy
|
Hal Hartley
|
United States,
|
2004
|
|
Small Deaths
|
Lynne Ramsay
|
United Kingdom,
|
1995
|
|
Snowfire
|
Ayoka Chenzira
|
United States,
|
1994
|
|
So Can I
|
Abbas Kiarostami
|
Iran,
|
1975
|
|
So Far from India
|
Mira Nair
|
United States,
|
1983
|
|
The Soft Space
|
Sofia Bohdanowicz and Melanie J. Scheiner
|
Canada,
|
2018
|
|
Somewhere a Destination
|
Celeste Lapida
|
Philippines,
|
2021
|
|
So We Live
|
Rand Abou Fakher
|
Belgium,
|
2021
|
|
Stafford’s Story
|
Susan Muska
|
United States,
|
1992
|
|
Strangers
|
Rajee Samarasinghe
|
Sri Lanka,
|
2022
|
|
Stray
|
Ashley McKenzie
|
Canada,
|
2013
|
|
Sunlight
|
Melvin Van Peebles
|
United States,
|
1957
|
|
Superior
|
Erin Vassilopoulos
|
United States,
|
2015
|
|
Syvilla: They Dance to Her Drum
|
Ayoka Chenzira
|
United States,
|
1979
|
|
T
|
Keisha Rae Witherspoon
|
United States,
|
2019
|
|
Theory of Achievement
|
Hal Hartley
|
United States,
|
1991
|
|
Three Atlas
|
Miryam Charles
|
Haiti,
|
2018
|
|
Three Pickup Men for Herrick
|
Melvin Van Peebles
|
United States,
|
1957
|
|
To Be Free
|
Adepero Oduye
|
United States,
|
2017
|
|
Toothache
|
Abbas Kiarostami
|
Iran,
|
1980
|
|
The Tram
|
Krzysztof Kieślowski
|
Poland,
|
1966
|
|
Trial Period
|
Kiernan Francis
|
United States,
|
2023
|
|
Tropicalía
|
Rodney Llaverías
|
Dominican Republic,
|
2022
|
|
Two Lies
|
Pamela Tom
|
United States,
|
1990
|
|
Two Men and a Wardrobe
|
Roman Polanski
|
Poland,
|
1958
|
|
Two Sons and a River of Blood
|
Amber Bemak and Angelo Madsen Minax
|
Mexico,
|
2021
|
|
Under the Heavens
|
Gustavo Milan
|
Brazil,
|
2020
|
|
Unemployees
|
Joel Potrykus
|
United States,
|
2023
|
|
Vámonos
|
Marvin Lemus
|
United States,
|
2015
|
|
Veslemøy’s Song
|
Sofia Bohdanowicz
|
Canada,
|
2018
|
|
Walk for Me
|
Elegance Bratton
|
United States,
|
2016
|
|
Warsha
|
Dania Bdeir
|
Lebanon,
|
2022
|
|
When Angels Fall
|
Roman Polanski
|
Poland,
|
1959
|
|
White Echo
|
Chloë Sevigny
|
United States,
|
2019
|
|
Williamswood
|
Ayoka Chenzira
|
Austria,
|
1992
|
|
Yaangna Plays Itself
|
Adam Piron
|
United States,
|
2022
|
|
You Are Not I
|
Sara Driver
|
United States,
|
1981
|
|
Yours Truly, Andrea G. Stern
|
Susan Seidelman
|
United States,
|
1979
|
|
You Will Be My Ally
|
Rosine Mbakam
|
Belgium,
|
2012
|
|
Zajota and the Boogie Spirit
|
Ayoka Chenzira
|
United States,
|
1989
|