|
|
All That Money Can Buy (a.k.a. The Devil and Daniel Webster)
|
William Dieterle
|
United States,
|
1941
|
|
|
At Land
|
Maya Deren
|
United States,
|
1944
|
|
|
Ball of Fire
|
Howard Hawks
|
United States,
|
1941
|
|
|
Battling Butler
|
Buster Keaton
|
United States,
|
1926
|
|
|
Berlin Express
|
Jacques Tourneur
|
United States,
|
1948
|
|
|
The Blood of Jesus
|
Spencer Williams
|
United States,
|
1941
|
|
|
Body and Soul
|
Oscar Micheaux
|
United States,
|
1925
|
|
|
Brute Force
|
Jules Dassin
|
United States,
|
1947
|
|
|
By Right of Birth
|
Harry A. Gant
|
United States,
|
1921
|
|
|
The Circus
|
Charles Chaplin
|
United States,
|
1928
|
|
|
Commandment Keeper Church, Beaufort South Carolina, May 1940 (excerpt)
|
Zora Neale Hurston
|
United States,
|
1940
|
|
|
The Daughter of Dawn
|
Norbert A. Myles
|
United States,
|
1920
|
|
|
Detour
|
Edgar G. Ulmer
|
United States,
|
1945
|
|
|
Dirty Gertie from Harlem U.S.A.
|
Spencer Williams
|
United States,
|
1946
|
|
|
Dr. Jack
|
Fred C. Newmeyer
|
United States,
|
1922
|
|
|
An Eastern Westerner
|
Hal Roach
|
United States,
|
1920
|
|
|
Eleven P.M.
|
Richard Maurice
|
United States,
|
1928
|
|
|
The Fan
|
Otto Preminger
|
United States,
|
1949
|
|
|
The Flying Ace
|
Richard E. Norman
|
United States,
|
1926
|
|
|
Foreign Correspondent
|
Alfred Hitchcock
|
United States,
|
1940
|
|
|
For Heaven’s Sake
|
Sam Taylor
|
United States,
|
1926
|
|
|
The Freshman
|
Sam Taylor and Fred Newmeyer
|
United States,
|
1925
|
|
|
The General
|
Buster Keaton and Clyde Bruckman
|
United States,
|
1926
|
|
|
Get Out and Get Under
|
Hal Roach
|
United States,
|
1920
|
|
|
Girl Shy
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1924
|
|
|
The Gold Rush
|
Charles Chaplin
|
United States,
|
1942
|
|
|
THE GOLD RUSH: 1925 Version
|
Charles Chaplin
|
United States,
|
1925
|
|
|
Go West
|
Buster Keaton
|
United States,
|
1925
|
|
|
Grandma's Boy
|
Fred C. Newmeyer
|
United States,
|
1922
|
|
|
Grass: A Nation’s Battle for Life
|
Merian C. Cooper and Ernest B. Schoedsack
|
United States,
|
1925
|
|
|
The Great Dictator
|
Charles Chaplin
|
United States,
|
1940
|
|
|
Haunted Spooks
|
Hal Roach and Alfred J. Goulding
|
United States,
|
1920
|
|
|
High and Dizzy
|
Hal Roach
|
United States,
|
1920
|
|
|
His Royal Slyness
|
Hal Roach
|
United States,
|
1920
|
|
|
The Idle Class
|
Charles Chaplin
|
United States,
|
1921
|
|
|
I Married a Witch
|
René Clair
|
United States,
|
1942
|
|
|
I Shot Jesse James
|
Samuel Fuller
|
United States,
|
1949
|
|
|
The Kid
|
Charles Chaplin
|
United States,
|
1921
|
|
|
The Kid Brother
|
Ted Wilde
|
United States,
|
1927
|
|
|
The King of Kings
|
Cecil B. DeMille
|
United States,
|
1927
|
|
|
Let There Be Light
|
John Huston
|
United States,
|
1946
|
|
|
The Long Voyage Home
|
John Ford
|
United States,
|
1940
|
|
|
Looking for Sally
|
Leo McCarey
|
United States,
|
1925
|
|
|
Meditation on Violence
|
Maya Deren
|
United States,
|
1949
|
|
|
Meshes of the Afternoon
|
Maya Deren and Alexander Hammid
|
United States,
|
1943
|
|
|
Mighty Like a Moose
|
Leo McCarey
|
United States,
|
1926
|
|
|
Monsieur Verdoux
|
Charles Chaplin
|
United States,
|
1947
|
|
|
The Naked City
|
Jules Dassin
|
United States,
|
1948
|
|
|
The Navigator
|
Buster Keaton and Donald Crisp
|
United States,
|
1924
|
|
|
Never Weaken
|
Fred C. Newmeyer and Sam Taylor
|
United States,
|
1921
|
|
|
Nice and Friendly
|
Charles Chaplin
|
United States,
|
1922
|
|
|
Number, Please?
|
Hal Roach and Fred Newmeyer
|
United States,
|
1920
|
|
|
Out of the Past
|
Jacques Tourneur
|
United States,
|
1947
|
|
|
The Passionate Friends
|
David Lean
|
United States,
|
1949
|
|
|
Pay Day
|
Charles Chaplin
|
United States,
|
1922
|
|
|
The Pilgrim
|
Charles Chaplin
|
United States,
|
1923
|
|
|
The Private Life of a Cat
|
Maya Deren and Alexander Hammid
|
United States,
|
1946
|
|
|
Regeneration
|
Richard E. Norman
|
United States,
|
1923
|
|
|
Rev. S. S. Jones Home Movies
|
Reverend Solomon Sir Jones
|
United States,
|
1924
|
|
|
Ritual in Transfigured Time
|
Maya Deren
|
United States,
|
1946
|
|
|
Safety Last!
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1923
|
|
|
The Saga of Gösta Berling
|
Mauritz Stiller
|
United States,
|
1924
|
|
|
A Sailor-Made Man
|
Fred C. Newmeyer
|
United States,
|
1921
|
|
|
The Scar of Shame
|
Frank Perugini
|
United States,
|
1929
|
|
|
Seven Chances
|
Buster Keaton
|
United States,
|
1925
|
|
|
Sherlock Jr.
|
Buster Keaton
|
United States,
|
1924
|
|
|
Speedy
|
Ted Wilde
|
United States,
|
1928
|
|
|
Steamboat Bill, Jr.
|
Charles Reisner
|
United States,
|
1928
|
|
|
Strange Victory
|
Leo Hurwitz
|
United States,
|
1948
|
|
|
A Study in Choreography for Camera
|
Maya Deren
|
United States,
|
1945
|
|
|
The Symbol of the Unconquered: A Story of the Ku Klux Klan
|
Oscar Micheaux
|
United States,
|
1920
|
|
|
Ten Nights in a Bar Room
|
Roy Calnek
|
United States,
|
1926
|
|
|
To Be or Not to Be
|
Ernst Lubitsch
|
United States,
|
1942
|
|
|
The Unknown
|
Tod Browning
|
United States,
|
1927
|
|
|
Welcome Danger
|
Clyde Bruckman
|
United States,
|
1929
|
|
|
Why Worry?
|
Fred Newmeyer and Sam Taylor
|
United States,
|
1923
|
|
|
Within Our Gates
|
Oscar Micheaux
|
United States,
|
1920
|
|
|
A Woman of Paris
|
Charles Chaplin
|
United States,
|
1923
|
|
|
Zora Neale Hurston Fieldwork Footage (excerpt)
|
Zora Neale Hurston
|
United States,
|
1928
|