|
|
All That Money Can Buy (a.k.a. The Devil and Daniel Webster)
|
William Dieterle
|
United States,
|
1941
|
|
|
At Land
|
Maya Deren
|
United States,
|
1944
|
|
|
Ball of Fire
|
Howard Hawks
|
United States,
|
1941
|
|
|
Berlin Express
|
Jacques Tourneur
|
United States,
|
1948
|
|
|
The Blood of Jesus
|
Spencer Williams
|
United States,
|
1941
|
|
|
Brute Force
|
Jules Dassin
|
United States,
|
1947
|
|
|
Commandment Keeper Church, Beaufort South Carolina, May 1940 (excerpt)
|
Zora Neale Hurston
|
United States,
|
1940
|
|
|
Detour
|
Edgar G. Ulmer
|
United States,
|
1945
|
|
|
Dirty Gertie from Harlem U.S.A.
|
Spencer Williams
|
United States,
|
1946
|
|
|
The Fan
|
Otto Preminger
|
United States,
|
1949
|
|
|
Foreign Correspondent
|
Alfred Hitchcock
|
United States,
|
1940
|
|
|
The Gold Rush
|
Charles Chaplin
|
United States,
|
1942
|
|
|
The Great Dictator
|
Charles Chaplin
|
United States,
|
1940
|
|
|
I Married a Witch
|
René Clair
|
United States,
|
1942
|
|
|
I Shot Jesse James
|
Samuel Fuller
|
United States,
|
1949
|
|
|
Let There Be Light
|
John Huston
|
United States,
|
1946
|
|
|
The Long Voyage Home
|
John Ford
|
United States,
|
1940
|
|
|
Meditation on Violence
|
Maya Deren
|
United States,
|
1949
|
|
|
Meshes of the Afternoon
|
Maya Deren and Alexander Hammid
|
United States,
|
1943
|
|
|
Monsieur Verdoux
|
Charles Chaplin
|
United States,
|
1947
|
|
|
The Naked City
|
Jules Dassin
|
United States,
|
1948
|
|
|
Out of the Past
|
Jacques Tourneur
|
United States,
|
1947
|
|
|
The Passionate Friends
|
David Lean
|
United States,
|
1949
|
|
|
The Private Life of a Cat
|
Maya Deren and Alexander Hammid
|
United States,
|
1946
|
|
|
Ritual in Transfigured Time
|
Maya Deren
|
United States,
|
1946
|
|
|
Strange Victory
|
Leo Hurwitz
|
United States,
|
1948
|
|
|
A Study in Choreography for Camera
|
Maya Deren
|
United States,
|
1945
|
|
|
To Be or Not to Be
|
Ernst Lubitsch
|
United States,
|
1942
|