|
|
About Extra Hours and Volunteer Work
|
Sara Gómez
|
Cuba,
|
1973
|
|
|
And . . . We've Got Sabor
|
Sara Gómez
|
Cuba,
|
1967
|
|
|
Aquí
|
Carlos Mario
|
Puerto Rico,
|
2020
|
|
|
Araya
|
Margot Benacerraf
|
Venezuela,
|
1959
|
|
|
August Sky
|
Jasmin Tenucci
|
Brazil,
|
2020
|
|
|
The Beast Must Die
|
Román Viñoly Barreto
|
Argentina,
|
1952
|
|
|
Bestia
|
Hugo Covarrubias
|
Chile,
|
2021
|
|
|
The Bitter Stems
|
Fernando Ayala
|
Argentina,
|
1956
|
|
|
Black God, White Devil
|
Glauber Rocha
|
Brazil,
|
1964
|
|
|
The Black Vampire
|
Román Viñoly Barreto
|
Argentina,
|
1953
|
|
|
Caballerango
|
Juan Pablo González
|
Mexico,
|
2018
|
|
|
Canoa: A Shameful Memory
|
Felipe Cazals
|
Mexico,
|
1976
|
|
|
The cemetery lightens
|
Luis Alejandro Yero
|
Cuba,
|
2018
|
|
|
Cronos
|
Guillermo del Toro
|
Mexico,
|
1993
|
|
|
Dazed Flesh
|
Grace Passô and Ricardo Alves Jr.
|
Brazil,
|
2019
|
|
|
Dear Chantal
|
Nicolás Pereda
|
Mexico,
|
2021
|
|
|
A Documentary About Transit
|
Sara Gómez
|
Cuba,
|
1971
|
|
|
Dos Estaciones
|
Juan Pablo González
|
Mexico,
|
2022
|
|
|
Dos monjes
|
Juan Bustillo Oro
|
Mexico,
|
1934
|
|
|
Dry Ground Burning
|
Joana Pimenta and Adirley Queirós
|
Brazil,
|
2023
|
|
|
La Espera
|
Juan Pablo González
|
Mexico,
|
2016
|
|
|
Excursion to Vueltabajo
|
Sara Gómez
|
Cuba,
|
1965
|
|
|
The Exterminating Angel
|
Luis Buñuel
|
Mexico,
|
1962
|
|
|
Geometria
|
Guillermo del Toro
|
Mexico,
|
1987
|
|
|
Ghosts
|
André Novais Oliveira
|
Brazil,
|
2010
|
|
|
Guanabacoa: Chronicle of My Family
|
Sara Gómez
|
Cuba,
|
1966
|
|
|
I Am Cuba
|
Mikhail Kalatozov
|
Cuba,
|
1964
|
|
|
If I Should Die Before I Wake
|
Carlos Hugo Christensen
|
Argentina,
|
1952
|
|
|
I'll Go to Santiago
|
Sara Gómez
|
Cuba,
|
1964
|
|
|
An Island for Miguel
|
Sara Gómez
|
Cuba,
|
1968
|
|
|
Japón
|
Carlos Reygadas
|
Mexico,
|
2002
|
|
|
Kiss of the Spider Woman
|
Hector Babenco
|
Brazil,
|
1985
|
|
|
Limite
|
Mário Peixoto
|
Brazil,
|
1931
|
|
|
Local Power, Popular Power
|
Sara Gómez
|
Cuba,
|
1970
|
|
|
Lucía
|
Humberto Solás
|
Cuba,
|
1968
|
|
|
Memories of Underdevelopment
|
Tomás Gutiérrez Alea
|
Cuba,
|
1968
|
|
|
MOSQUITO: The Movie
|
LYZZA and Enantios Dromos
|
Brazil,
|
2022
|
|
|
My Contribution
|
Sara Gómez
|
Cuba,
|
1969
|
|
|
Never Open That Door
|
Carlos Hugo Christensen
|
Argentina,
|
1952
|
|
|
Las Nubes
|
Juan Pablo González
|
Mexico,
|
2017
|
|
|
The Olympics in Mexico
|
Alberto Isaac
|
Mexico,
|
1969
|
|
|
On the Other Island
|
Sara Gómez
|
Cuba,
|
1968
|
|
|
On Sugar Workers' Quarters
|
Sara Gómez
|
Cuba,
|
1971
|
|
|
Parsi
|
Mariano Blatt and Eduardo Williams
|
Argentina,
|
2019
|
|
|
The Phantom of the Monastery
|
Fernando de Fuentes
|
Mexico,
|
1934
|
|
|
Pictures of Ghosts
|
Kleber Mendonça Filho
|
Brazil,
|
2023
|
|
|
Pixote
|
Héctor Babenco
|
Brazil,
|
1980
|
|
|
Prenatal Care
|
Sara Gómez
|
Cuba,
|
1972
|
|
|
Prisoner’s Cinema
|
Beatriz Santiago Muñoz
|
Puerto Rico,
|
2013
|
|
|
Redes
|
Emilio Gómez Muriel…
|
Mexico,
|
1936
|
|
|
Republic
|
Grace Passô
|
Brazil,
|
2020
|
|
|
Shit Saturday
|
Gregorio Rocha
|
Mexico,
|
1988
|
|
|
Simon of the Desert
|
Luis Buñuel
|
Mexico,
|
1965
|
|
|
The Solitude of Memory
|
Juan Pablo González
|
Mexico,
|
2014
|
|
|
Tótem
|
Lila Avilés
|
Mexico,
|
2023
|
|
|
Treasure Island
|
Sara Gómez
|
Cuba,
|
1969
|
|
|
Two Sons and a River of Blood
|
Amber Bemak and Angelo Madsen Minax
|
Mexico,
|
2021
|
|
|
Under the Heavens
|
Gustavo Milan
|
Brazil,
|
2020
|
|
|
Vera
|
Sérgio Toledo
|
Brazil,
|
1986
|
|
|
Victims of Sin
|
Emilio Fernández
|
Mexico,
|
1951
|
|
|
The White Death of the Black Wizard
|
Rodrigo Ribeiro-Andrade
|
Brazil,
|
2020
|
|
|
A Wild Patience Has Taken Me Here
|
Érica Sarmet
|
Brazil,
|
2021
|
|
|
Year One
|
Sara Gómez
|
Cuba,
|
1992
|
